舞蹈诗《粉.墨》
Dancing Poem Fen Mo
作品《粉·墨》依据唐代张彦远在《历代名画记》中所云：“运墨而五色具，谓之得意。意在五色，则物象乖矣”为创作立意，体悟墨分五色，浓淡入境，泼洒世界的独特审美观，并以此作为对身体动作表现的思考。以墨喻身体，浓、淡、干、湿、焦，呼吸、动静、开合，身体的疾徐沉落正如墨色的展开、变化。由此，舞蹈充分运用了“气”、“跷”、“发”、“袖”、“剑”、“扇”、“伞”、“裙”等传统元素，传达了中国人“深情”、“幽情”、“含情”、“冤情”、“悲情”、“闲情”、“爱情”的精神世界，包容了历史、文化的传统记忆和古典韵味的身体传承。
剧照，Stage Photo(下同，the same as below)
The work "Fen Mo" is based on what Zhang Yanyuan of the Tang Dynasty said in his "records of famous paintings of the past dynasties": "if the depth of ink has coke, thick, heavy, light and clear ,it will be much easier to make a wash drawing. "If you know how to use five colors, then the your image will be specific." as the creative idea, we can understand the unique aesthetic view that ink is divided into five colors, and the thick and light enter into the world, and take it as a reflection on the performance of body movements. With ink to describe the body, thick, light, dry, wet, burnt, breathing, dynamic and static, opening and closing, the body's rapid decline is just like the expansion and change of ink color. Therefore, the dance makes full use of traditional elements such as "Qi", "Qiao", "Fa", "sleeve", "sword", "fan", "umbrella" and "skirt" to convey the spiritual world of Chinese people, including the traditional memory of history and culture and the physical inheritance of classical charm.
中国投资发展促进会
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