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发光的立方体—— 通过穿孔和反光的外墙，打造 "奇迹之盒"

搜建筑

2020-12-25

导读：ICA MIAMI基金会的新总部是一个向城市提供服务的博物馆，旨在成为国际艺术的参考和迈阿密文化的标志。实现这一目标的建筑工具是基于一个发光的立方体，作为一个 "魔盒"，一个 "奇迹之盒"，通过两个穿

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ICA MIAMI基金会的新总部是一个向城市提供服务的博物馆，旨在成为国际艺术的参考和迈阿密文化的标志。

实现这一目标的建筑工具是基于一个发光的立方体，作为一个 "魔盒"，一个 "奇迹之盒"，通过两个穿孔和反光的外墙在南北两个方向开放。

The new Headquarters of ICA MIAMI Foundation is a museum that offers itself to the city and is conceived to become an international artistic reference and an icon of Miami’s cultural offer. The architectural tool used to achieve this target is based on a luminous cubic volume, as a “Magic Box”, a “Boite à Miracle”, open on its two north and south fronts through two perforated and reflective facades.

在南面的立面中，主入口以横向通道的形式出现，这是博物馆的大厅，并将我们与位于场地北部的雕塑园连接起来。

南面是金属、铝制、明亮、太阳能、“镜子”将在博物馆举行活动时闪光。它是封闭的，保护展厅免受南方太阳辐射的直接影响。

外立面被发光的小开口所穿透，这些小开口反应了一个三角形的几何形状，像是强飓风横向运动后断裂的结果。

在金属平面的下方，浮动着一条水平带，在街道上形成了一个阴影，ICA MIAMI的字母出现在这里，大而深，就像支撑建筑的柱子。

In the southern facade, the main entrance appears as a transverse passage, which is the lobby of the museum and connects us with the sculpture garden, located in the north of the site. The southern facade is metallic, aluminium, bright, solar, mirror and announcement of the events that will be held at the museum. It is closed, protecting the exhibition halls from the direct solar radiation of the south. The facade is pierced by luminous small openings that respond to a triangular geometry, a consequence of the evocative fracture of the lateral movements of the strong hurricane winds. Underneath the metallic plane, floating, a horizontal strip is created on street level, a shadow where the letters of ICA MIAMI appear, large and deep, like the columns that support the building.

博物馆向北开放，玻璃幕墙为大厅提供了自然光，并成为用不同的照明或玻璃上的乙烯基粘合剂制作的装置和临时艺术创作的场所。

展厅是中性的、白色的、明亮的空间，有足够的高度来放置大型装置。博物馆建筑群中还有一个外部空间--"雕塑花园"，被构思成一个大型户外展厅。

The museum opens to the north with a glass facade, giving natural light to the halls and being the holder for installations and temporary artistic creations made with different illuminations or vinyl adhesives on the glass. The exhibition halls are neutral, white, bright spaces with the sufficient height for large format installations. The museum complex is complete with an exterior space, the “Garden of Sculptures”, conceived as a large outdoor exhibition hall.