摄相归性 | 王长明当代艺术作品- 大数跨境

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摄相归性 | 王长明当代艺术作品

漫艺术

2026-09-28

导读：我只提供观看方式，不提供答案。

王长明 WANG CHANGMING

独立艺术家，江苏无锡人，1985年毕业上海美术学院，现居北京、无锡。

致力于当代艺术视觉领域的实验与创作，关于视感的“边界纠缠”及图像语言“去形式化无意义指向”的探讨，开拓平面绘画视感交互的新方式……作品涉及绘画装置雕塑。曾参加广州三年展、新疆双年展、27届亚洲国际当代艺术展、[多瑙河对话]欧洲当代艺术展等一系列国内外重要的当代艺术展。

Independent artist, born in Wuxi, Jiangsu. Graduated from Shanghai Academy of Fine Arts in 1985. Currently lives in Beijing and Wuxi.

Dedicated to experimentation and creation in the field of contemporary visual art, exploring the "entanglement of boundaries" in visual perception and the "deformalized, meaningless orientation" of image language, opening up new ways of visual-perceptual interaction in flat painting... His works involve painting, installation, and sculpture. He has participated in a series of important contemporary art exhibitions at home and abroad, including the Guangzhou Triennial, the Xinjiang Biennale, the 27th Asian International Contemporary Art Exhibition, and the [Danube Dialogue] European Contemporary Art Exhibition.

自述

画画难，阐释自己的作品也不易，因与个体生存与时代底色相关。视觉作品有时可以自慰、暧昧~那叫“雅”，可文字不是这样也不能那样。在视觉艺术系统里，梳理创作冲动的来由与艺术家个体经验认知的关系很要紧，这个理清楚了作品就有了“道理”。

把艺术作品简化为其内容，然再对内容进行阐释，这样就驯服了艺术作品，让艺术变得容易掌控、合乎规矩——苏珊.桑塔格。

我以为不能这样（好比读书不能只看梗概）

上述文字寻古人该去文昌阁化了……

王长明 2026

Painting is difficult, and explaining one's own work is no easy matter either, because it is tied to individual existence and the tone of the times. Visual works can sometimes be self-soothing, ambiguous—that is called "elegance"—but writing is not like this and cannot be like that. In the system of visual art, it is crucial to sort out the relationship between the origins of creative impulse and the artist's individual experiential cognition. Once this is clarified, the work acquires its "reason."

To simplify an artwork into its content and then interpret that content is to tame the artwork, making art easy to control and conform to rules—Susan Sontag.

I believe it cannot be like this (just as reading a book cannot be reduced to reading only a summary).

The above text, if seeking the ancients, should go to Wenchang Pavilion to be transformed…

Wang Changming 2026

泅渡

纸本综合媒介

108cm×75cm

2026

妄翼

纸本综合媒介

108cm×75cm

2026

尘涯渐杳

纸本综合媒介

108cm×75cm

2026

王长明：我只提供观看方式，不提供答案

(访谈节选)

Wang Changming: I Only Offer a Way of Seeing, Not an Answer

(Excerpt from an Interview)

采访 _ 胡少杰

Interview by Hu Shaojie

漫艺术 =M: 王老师，从您的这批新作来看，语言越来越单纯了，这几年外部世界的纷纷扰扰，似乎并没有对您产生太大的影响？您一直在按照自己的节奏、规律进行创作。

Maan Art = M: Mr. Wang, judging from this new body of work, your language has become increasingly pure and simple. The turmoil and distractions of the external world over these past few years seem not to have affected you too much? You have been creating according to your own rhythm and patterns all along.

浮屠N0.1

纸本综合媒介

108cm×75cm

2026

浮屠N0.2

纸本综合媒介

108cm×75cm

2026

王长明=W:做好自己的事，然后冷静地观察就好，你有你的工作要做，不要试图用艺术改变什么，艺术没有那么大的能量。面对纷扰，保持清醒、独立，然后沉下心来做自己该做的事情。

Wang Changming = W: Just do your own thing well, and then observe calmly. You have your own work to do—don't try to change anything through art; art doesn't have that much power.

In the face of turmoil, stay clear-headed and independent, then settle down and do what you ought to do.

壇城N0.1

纸本综合媒介

108cm×75cm

2026

M: 您在创作中选择了直接复制这种刻花玻璃的图像，而不是去提取或者抽象化的处理成一个不太明显的视觉元素，这是为什么呢？

M: In your creation, you chose to directly copy this kind of engraved glass image, rather than extracting or abstracting it into a less obvious visual element. Why is that?

壇城N0.2

纸本综合媒介

108cm×75cm

2026

壇城N0.3

纸本综合媒介

108cm×75cm

2026

壇城N0.4

纸本综合媒介

108cm×75cm

2026

W: 因为兴趣不在形式主义上，我把这些图像基因从民间采集下来不是为了某种新的视觉形式，而是要寻找西方图像及物性观念与东方平面性绘画传统的交叉点，也贴合当代艺术“在地性”的思维逻辑。

W: Because my interest is not in formalism. I collected these image genes from folk sources not for the sake of some new visual form, but to seek the intersection between the Western concept of the thingness of the image and the Eastern tradition of flat painting—which also aligns with the thinking logic of "locality" in contemporary art.

壇城N0.5

纸本综合媒介

108cm×75cm

2026

壇城N0.6

纸本综合媒介

108cm×75cm

2026

壇城N0.7

纸本综合媒介

108cm×75cm

2026

M: 所以您越来越注重语言本身，语言在您的创作中扮演的角色越来越重要？

M: So you are paying more and more attention to language itself, and language plays an increasingly important role in your creation?

W: 对，作为一个视觉艺术家，建立一套有效的视觉语言，应该是他最为重要的工作内容。我自己也在不断提升纯化作品的表达语言，视觉艺术家就要从视感逻辑入手，也是我思考最多的问题。

W: Yes. As a visual artist, establishing an effective set of visual language should be his most important work. I myself am also constantly refining and purifying the expressive language of my works. A visual artist must start from the logic of visual perception—this is also the question I think about most.