金杜艺术中心很荣幸在2018年11月16日至2019年2月16日呈现艺术家蕾切尔·麦克莱恩(Rachel Maclean) 第一次中国个展。这次展览展出两部电影装置作品，一组6件数码印刷织物作品和一件来自扎布卢多维奇收藏（Zabludowicz Collection） 最新委托制作的VR （虚拟现实）作品。这次展览的目的是把麦克莱恩的创作实践引入到新的观众视野中。她的作品中经常出现社交媒体、广告、儿童电视节目和童话故事，突出了身份、性别、消费主义以及我们对技术的依赖等关键主题。
我们要数据！，2016，6组热燃料升华印刷织物。由英国曼彻斯特HOME艺术中心和美国德州圣安东尼奥艺术馆委托制作。图片由艺术家提供
We Want Data!, 2016, 6 prints dye sublimation fabric prints. Commissioned by HOME and Artpace. Courtesy of Artist.
蕾切尔·麦克莱恩被认为是当今世界上活跃的最具特色和重要性的艺术家之一。她亲自在电影中扮演许多戏剧角色，麦克莱恩从类型上融合了喜剧和恐怖片，用绿屏视频技术和计算机处理的视觉效果在一种“超真实”（hyper-real）的背景中演出。她的作品是对当代社会的有力讽刺，揭露了它的多彩，诱人却又怪诞的不同面。
内心才是最重要的, 2016, 单屏高清视频装置，30分钟。由英国曼彻斯特HOME艺术中心、英国索尔福德大学艺术收藏、英国伦敦泰特美术馆、扎布卢多维奇收藏、弗瑞兹影像单元和英国第四频道委托制作。图片由艺术家提供
It’s What’s Inside That Counts, 2016, single screen HD video installation, 30mins. Commissioned by HOME, University of Salford Art Collection, Tate, Zabludowicz Collection, Frieze Film, and Channel 4. Courtesy of Artist.
在主展厅中，我们展示一部电影装置作品 《内心才是最重要的（2016）》。这部电影借用了国际集团公司销售“健康”、“青春”和“幸福”的手段：用形象淹没我们，并给我们无穷的焦虑。麦克莱恩自己演绎她的所有角色，使用绿屏电影技术和动画背景来创造一个给人不祥预感的环境。《我们要数据》是六张一组的数码印刷织物作品，跟电影同时在主展厅展出，描绘了影片中的人物。一个卡戴珊型半神，在一个反乌托邦的大都市，统治着那些痴迷于在线连接和被投喂数字碎屑的大众。
喂我，2015，高清影片，60分钟。由影视伞和第八届英国艺术大展共同委托制作，并由创意苏格兰支持。图片由艺术家提供
Feed Me, 2015, HD video, 60 minutes. Commissioned by Film and Video Umbrella and British Art Show 8 with support from Creative Scotland. Courtesy of Artist.
在报告厅中，我们放映的是一部电影《喂我 （2015）》，其中麦克莱恩再次扮演了多个角色，其中包括一个前青春期的社交媒体狂热分子，一个中年媒体商人，还有一个双目呆滞的儿童节目表演者。电影探寻了市场营销的逻辑：为了获得幸福，我们必须追随我们的欲望。继而提出了一个问题：当我们想要更多的欲望，引导了我们创造更多不可及的梦想，那时会发生什么？
蕾切尔·麦克莱恩展览现场，图片来自于伦敦扎布卢多维奇收藏，摄影师：David Bebber
Installation view: Rachel Maclean, Zabludowicz Collection, London. Photo: David Bebber
在第三个房间里，我们展示了她最新的作品，一个由伦敦扎布卢多维奇收藏委托的VR项目，名为《I’m Terribly Sorry (2018)》，是与Werkflow公司合作完成的。互动体验设置的情境，位于一个反乌托邦式的英国城市旅游景点，布满了变态旅游纪念品。它反映了在一种无止境的记录、自我表演和窥视癖文化中，作为整体社会的不安和误解。
KWM artcenter is pleased to present Rachel Maclean's first solo exhibition in China from 16 November 2018 to 16 February 2019. The exhibition presents 2 film installations, a set of 6 digital prints and a newly commissioned VR work. The aim of the exhibition is to introduce Maclean’s practice to a new audience. Social media, advertising, children’s television programmes and fairy tales appear regularly in Maclean’s work highlighting the key themes of identity, gender, consumerism and our dependence on technology.
我们要数据！，2016，6组热燃料升华印刷织物。由英国曼彻斯特HOME艺术中心和美国德州圣安东尼奥艺术馆委托制作。图片由艺术家提供
We Want Data!, 2016, 6 prints dye sublimation fabric prints. Commissioned by HOME and Artpace. Courtesy of Artist.
Rachel Maclean is considered one of the most important and distinctive artists at work in the world today. Playing many of the costumed characters herself in her films, Maclean fuses both comedy and horror acted out against hyper-real worlds using green-screen video and computer generated visual effects. Her work is a powerful satire of contemporary society exposing all its colourful and alluring yet grotesque aspects.
内心才是最重要的, 2016, 单屏高清视频装置，30分钟。由英国曼彻斯特HOME艺术中心、英国索尔福德大学艺术收藏、英国伦敦泰特美术馆、扎布卢多维奇收藏、弗瑞兹影像单元和英国第四频道委托制作。图片由艺术家提供
It’s What’s Inside That Counts, 2016, single screen HD video installation, 30mins. Commissioned by HOME, University of Salford Art Collection, Tate, Zabludowicz Collection, Frieze Film, and Channel 4. Courtesy of Artist.
In the main space we are exhibiting the film installation It’s What’s Inside That Counts (2016). The film borrows techniques that global corporations use to sell well-being, youth and happiness by flooding us with imagery and feeding our anxieties. Playing all of her characters herself, Maclean uses green-screen film techniques and animated backdrops to create foreboding environments. The We Want Data print series accompanies the film and depicts a dystopian metropolis in which a Kardashian-like demigod rules over a data addicted population.
喂我，2015，高清影片，60分钟。由影视伞和第八届英国艺术大展共同委托制作，并由创意苏格兰支持。图片由艺术家提供
Feed Me, 2015, HD video, 60 minutes. Commissioned by Film and Video Umbrella and British Art Show 8 with support from Creative Scotland. Courtesy of Artist.
In the education room we are showing Feed Me (2015), in which Maclean plays multiple characters including a pre-teen social media fanatic, a middle aged business man and a doe-eyed children’s entertainer. The film follows the marketing logic that to attain happiness we must follow our desires. It asks the question of what happens when our desires lead us to wanting more, creating ever more unattainable dreams.
喂我，2015，高清影片，60分钟。由影视伞和第八届英国艺术大展共同委托制作，并由创意苏格兰支持。图片由艺术家提供
Feed Me, 2015, HD video, 60 minutes. Commissioned by Film and Video Umbrella and British Art Show 8 with support from Creative Scotland. Courtesy of Artist.
In the third room we show her newest work, a VR project entitled I’m Terribly Sorry(2018), made in collaboration with Werkflow. The interactive experience is set in a dystopian urban British landscape of manic tourist merchandise. It reflects on societal unease and misunderstanding in a culture of relentless documentation, self-performance and voyeurism.
关于艺术家
About the Artist
摄影师：David Bebber
蕾切尔·麦克莱恩（生于1987年，爱丁堡，苏格兰）现生活工作在格拉斯哥。2009年毕业于爱丁堡艺术学院，她的作品于同年获得当代新人奖（New Contemporaries）引起了公众的注意。此后，她在塔尔伯特莱斯画廊（苏格兰爱丁堡）、都柏林休·雷恩市立现代艺术美术馆(爱尔兰)、澳大利亚国家美术馆(澳大利亚堪培拉)、赛尔维耶尔城堡画廊（法国马赛）、圣安东尼奥艺术馆（美国德州）、HOME艺术中心(英国曼彻斯特)和泰特美术馆 （英国伦敦）, 扎布卢多维奇基金会（英国伦敦）等地举办了大型个展，赢得了广泛的赞誉。
她的作品《整个新世界》在2013年荣获著名的玛格丽特·泰特奖，她曾两次入围贾曼奖，她的作品《喂我》在2016年第八届英国艺术大展中赢得了广泛的好评。她还与英国广播公司苏格兰分部及英国第四频道合作过许多电视节目，包括《比利·康诺利一生的肖像》（2017）和《蕾切尔·麦克莱恩：购物中心，艺术家驻留项目》Firecrest电影公司及第四频道合作呈现《Make Me Up》（2018）。
麦克莱恩代表苏格兰参加2017年威尼斯双年展，在圣卡特琳娜教堂呈现了委托作品《吐你的脸》。由炼金术电影与艺术公司委托和策划，与塔尔伯特莱斯画廊和爱丁堡大学联合呈现。她最新的电影与BBC和Hopscotch电影公司合作拍摄的电影《Make Me Up》（电视电影版）将于2018年11月在BBC 4台播出。该片将在伦敦BFI伦敦电影节实验项目中首映，并将在2018年秋季在其他电影院和艺术中心放映。
Based in Glasgow, Rachel Maclean (b.1987, Edinburgh，Scotland) graduated from Edinburgh College of Art in 2009 and her work came to public attention in New Contemporaries later that year. She has since received significant acclaim, with major solo shows in the UK at Talbot Rice Gallery, Edinburgh, Chapter Gallery Cardiff, HOME Manchester，TATE Britain London and Zabludowicz Collection London.
Maclean’s international solo presentations include: Dublin City Gallery The Hugh Lane; National Gallery of Australia Canberra; Artpace San Antonio, Texas; Château de Servières, Marseilles France.
Maclean’s international group exhibitions include: The Art of Dissonance Exhibition at the Seoul Museum of Art (SeMA), Korea; A Nonexistant Place: JUT Art Museum, Taiwan; TECHSTYLE Series 1.0: Ariadne’s Thread at MILL 6, Hong Kong; Hello World, Contemporary Art Gallery, Mito Arts Foundation Japan.
Her work A Whole New World won the prestigious Margaret Tait Award in 2013, she has twice been shortlisted for the Jarman Award, and achieved widespread critical praise for Feed Me in British Art Show 8 in 2016. She has also worked on a number of TV commissions with BBC Scotland and Channel 4, which include; Billy Connolly Life of a Portrait in 2017 and Rachel Maclean The Shopping Centre, Artist in Residence with Firecrest Films and Channel 4 in 2018.
Maclean represented Scotland at the Venice Biennale 2017 with the newly commissioned work Spite Your Face. Her most recent TV project Make Me Up broadcast across the UK on BBC 4 in November 2018.
关于展览
About the Exhibition
“蕾切尔·麦克莱恩”展览由LumiereVR提供独家VR技术指导。英国Hi-Fi音响品牌KEF提供独家音响设备赞助。造作ZAOZUO为独家家具展览合作伙伴。展览由环球金融中心·北京提供特别赞助。
The exhibition exclusive VR tech enabler is LumiereVR. Exclusive audio equipment sponsor is KEF，a British Hi-Fi brand. ZAOZUO is the exclusive furniture exhibition partner. The exhibition special sponsor is world financial centre·beijing.
蕾切尔·麦克莱恩（Rachel Maclean）
中国首展
展览期间开放时间：周二至周六 10:00-19:00
地址：北京市朝阳区东三环中路1号环球金融中心东塔201
Hours: Tuesday to Saturday 10:00 - 19:00
Address: 201, East Tower, World Financial Center, No.1 Dongsanhuan Zhonglu, Chaoyang District, Beijing, China
🎫
购票信息
早鸟票：40元
限时购票截止时间为11月15日
学生票：30元
常规票：50元
识别下方小程序二维码即可购票
