漫步在意大利最古老的柱廊之城

Bologna | Italy | UNESCO

博洛尼亚，意大利的一座小城，历史悠久。它是一个中世纪的奇迹，是意大利最受欢迎的旅游景点之一。随着其门廊被列入联合国教科文组织世界遗产名录，它无疑已成为了意大利旅游地图上一颗闪耀的星。

Bologna is a historic city with a long history. It is a medieval wonder that can be one of the most favoured tourist attractions. With the addition of its porticoes to the list of heritage sites, it has certainly made its way into the tourism map in a prominent manner. 

门廊是一种建筑结构，它是一个屋顶，具有多个相同间隔的立柱。联合国教科文组织已将博洛尼亚的门廊视为“展示人类历史上一个或多个重要阶段的建筑类型、建筑技术整体或景观的杰出范例”。博洛尼亚广阔的门廊可追溯到 12 世纪，至今仍是这座城市日常生活的重要组成部分。上个月在中国举行的一次会议上，联合国教科文组织世界遗产委员会、联合国文化机构、 将门廊列入著名名单。此次增加使上榜的意大利世界遗产数量增加到 58 个，使意大利成为世界第一（紧随其后的是中国，有 56 个）。

A portico is basically a structure that is a roof with multiple columns at regular intervals. UNESCO has recognised the Porticoes of Bologna as an  "outstanding example of a building type, architectural or technological ensemble or landscape that illustrates one or more important phases in human history.” Bologna’s extensive porticoes, dating back to the 12th century and still very much part of the city’s everyday life, have been added to the World Heritage List.  At a meeting in China last month, the World Heritage Committee of UNESCO, the U.N. culture agency, inscribed the porticoes on the prestigious list. The addition raised to 58 the number of Italian sites on the list, making Italy the number one in the world (with China following right after with 56).

这座城市的门廊长近 62 公里，其中 40 公里位于市中心，使博洛尼亚市变的独一无二，并已成为博洛尼亚城市体现身份的象征。1100 年间，随着大学的不断发展并增多，城市对空间有了更高的需求，在那时，门廊已成为人们可以社交和交易的公共场所，是博洛尼亚热情好客的露天沙龙象征。中世纪的门廊是博洛尼亚居民珍视的聚会场所，为他们遮阳避雨，并逐渐成为市民生活的十字路口。

The city's porticoes, almost 62 km long of which 40 km in the city centre, make the city of Bologna  truly unique and have become an expression and element of Bologna’s urban identity. Ever since 1100, when the growth of the University led to the need for new urban spaces, the porticoes have become private and public locations where people can socialise and trade, an open-air salon symbol of Bologna’s hospitality. The medieval porticoes are a cherished meeting place for Bologna’s residents, sheltering them from the sun and rain and serving as a crossroads of civic life.

博洛尼亚也是世界上最古老的大学之一——博洛尼亚大学的所在地。因此，你有更多的理由去那里。它的历史结构描绘了一幅美丽的图画，同时还有一个额外的优势，那就是联合国教科文组织最新纪录在册的世界遗产。总而言之，下次您去意大利时，博洛尼亚必须纳入进您的旅程之中。

Bologna is also home to one of the oldest universities in the world, Università di Bologna. Hence, you have all the more reasons to go there. Its old structures really paint a pretty picture, while there is that added advantage of boasting about the latest UNESCO World Heritage site. All in all, next time you’ll go to Italy you must include Bologna to your travel itinerary. 

博洛尼亚美术学院是一所大学级别的高级艺术和文化教育机构，位于via delle Belle Arti 54。该学院是意大利和世界上最古老的学院之一，是一个学习、生产和修复艺术的地方，致力于培养该领域的艺术家、设计师和专业人士。

The Academy of Fine Arts in Bologna is an institution of high artistic and cultural education of university rank, based in via delle Belle Arti 54. The Academy, one of the oldest in Italy and in the world, is a place of study, production and preservation of art, dedicated to the training of artists, designers and professionals in this field.

博洛尼亚美术学院最初成立于 1710 年，当时名为克莱门汀学院，该学院于 1804 年建于现址，至今仍保留了石膏雕塑、油画、素描、版画和学术性论文等文化遗产并继续沿用、发展、教学这些科目，使其成为学院的核心内容。从最初的四门学科（油画/水彩画、雕塑、建筑和艺术）开始，学院近年来扩大了学科类目，如当代艺术学科，始终尊重他们的传统并保持技术和理论知识的特殊性。

Placed in 1804 in the present site, the Academy was originally founded in 1710 as the Clementine Academy, from which it inherited and subsequently implemented the historical core of the sculptural heritage of chalk, paintings, drawings, prints and documents that it still preserves today. From the initial four classes of teaching (painting, sculpture, architecture and arts) the Academy has in recent years expanded its training offering disciplines close to contemporary arts, respecting always their tradition and maintaining the specificity of technical and theoretical knowledge.

今天我们为什么想要讨论博洛尼亚？迈骊飞为什么想要将三位年轻艺术家的作品带到中国？他们之间有什么联系？答案是：博洛尼亚本身。Giulio、Zino 和 Alessandro 都曾在博洛尼亚这座城市留下过记忆，并以这座城市的景点和风情作为创作灵感。

You may wonder why we decided to talk about  Bologna today and what could be the link among the three young artists Magnificat decided to represent  to bring Italian creativity to China. The answer is: Bologna itself. Giulio, Zino and Alessandro all studied and experienced the city of Bologna, taking the sights and flavours of the city as an inspiration for their works.

出生于1979年的意大利艺术家及摄影师， 长期在意大利和瑞士两地生活与工作。朱里奥从小就对摄影有着浓厚的兴趣， 漫长的学习和工作经验的积累让他慢慢进入到了艺术研究领域。艺术家喜欢尝试不同的媒介及手法来展示艺术的独特性与时间性。他的作品经常出现在著名的公共和私人收藏中。朱利奥一直以来都希望可以通过艺术来向人们展示瞬间的独特性， 在2009年的首次展览之后，他终于找到了一种可以实现这个理想的完美媒介: 肥皂泡。也因为自己被这种瞬间轨迹的不确定性和可能性，以及其哲学意义所吸引， 朱里奥便决定在不断的学习和尝试中逐渐完善这项作画技法。肥皂泡注定会消失，但用颜色轻抚它会留下痕迹。

Giulio Cassanelli, Bologna 1979. His love for the camera started when he was just a kid and lead him in a deep artistic research made by different working experiences. In 2005 he focuses on the concept of changeability of “beauty” and started to search subjects that could maintein small changes in a concept of “beauty continuous”. Keeping his focus on photography, he started to do a deeper research on different medium in order to develop a strong and consistent poetics. From 2008 his research process is focused on soap bubbles and scrap items in order to show the uniqueness that only time can give to things.

Action, gesture, matter: these are the key words of Giulio’s work. Action because all his works of art are performative; gesture because the masterpieces come from a real and active gesture from the artist; matter because the artist is always seeking for the changing of the matter.

1973年出生于意大利南部的一个小镇，于上世纪90年代毕业于博洛尼亚大学艺术史专业。毕业后移居罗马，开 始与其他艺术家合作一些装置艺术，对于当代艺术的热爱也因此诞生。2003年，希诺开始在佛罗伦萨的斯皮内 利宫做文物修复工作。2013年，他开始了自己独立创作的艺术生涯， 并在很短的时间内获得了在多家公共机构、画廊和艺术博览会上展出作品的机会。一直以来，他始终不断研究新的创作方式以适应持续变化的现代社会模式。他曾经尝试过各种创作表达方法， 并根据不同创作方式来表达内心多样的情感。从消费主义到国际化，从流行文化到青年潮流文化，这些创作主 题与当代社会的热点密切相关，他的创作特点在于使善于不同材料，其中大部分属于非艺术性的原材料， 例如:乐高积木、PVC球和3D打印等。

Zino, aka Luigi Franchi, class of 1973, is an artist who works on the concept of stratification and assembly, theme that symbolises the cultural context in which we live in now characterised by an hyper-exposure to media and by an overlapping of images, information and inputs.  Zino graduated from Bologna Academy of Fine Arts in the 90s and after graduating he moved to Rome where he began to work with some artists from the former factory Cerere and where his love for contemporary art was born. His artistic career officially kicked off in 2013, when in a short time  he succeeded to exhibit in several public institutions, galleries and art fairs. 

His work features the continuous research for new formal solutions to deal with contemporary society. He used to experiment different languages to test the expressive potential at the basis of his work. Close to themes related to the world of contemporary society, from consumerism to globalization, from pop culture to young trends, his path is characterized by the use of different materials mostly belonging to non-artistic environments such as Lego bricks, PVC balls, 3D prints. 

His last research roots down in the Tape-Art, which involves the use of different types and colours of tapes to make art. This new communicative mean finds the perfect balance between pop language and street art.

亚历山大在佛利艺术学院开始接受艺术培训，在那里学习了塑料和绘画技巧。此后他在博洛尼亚美术学院学习了情景剧的场景学， 除了戏剧化处理的手工能力之外，他还在学院里发明了一种设计方法。在以110学分的优异成绩毕业后，他开始担任助理布景设计师。在此期间，他与多位国内外的优秀布景设计师进行装置艺术的合作。 

2013年，出于对艺术和手工制品创作的热情， 他制作了个人的第一个动物雕塑作品，并开始在佛利学院展出。此后，他参与数个国外团体表演; 人生中第一个重要的个展，于2015年在福莱伊进化号沉船的地下宫殿举行。

Alessandro Turoni started his art education at Forlì College of Art, where he learned plastics and painting techniques. He then graduated from Bologna Academy of Fine Arts in scenic design for melodrama. From this experience, beside the manual abilities of theatrical processing, he also developed a design methodology. In 2013, following his passion for the arts and manual work, he produced his first animal sculpture, starting exhibiting his works in Forlì's galleries.