灵感空间，新目的地——全新家居灵感体验空间 STUDIO 9开幕首展 Flowing Chapters of Heritage 持续进行中，灵感汇聚于此，创意迸发于此，STUDIO 9 邀您一起，体验丹麦设计。
STUDIO 9 是现代设计的承载之地， 以 「丹麦设计 1920–2022：一组流动的篇章」 开幕，以 “时间” 为线索，呈现丹麦设计品牌 HAY，&Tradition，Verpan 和 Frandsen 的标志性作品。回溯百年经典设计，无形的灵感化作有形的作品；设计师们传承与创新的探索，在当下持续散发着历久弥新的能量，构成一组流动的叙事篇章。
STUDIO 9 debuts with 「Danish Design 1920-2022: flowing chapters of heritage」 , and weaves together a retrospective of a century of classic designs from Danish design brands, HAY, &Tradition, Verpan and Frandsen, where intangible inspirations are transformed into tangible works. The exploration of heritage and innovation continues to emanate the energy of time,and creating the flowing chapters of design.
纵览其设计历程，丹麦与中国在文化上有着亲近之处：遵循传统与现代结合的原则，尊重手工艺，珍惜自然材料，以人为本，寻求功能主义与产品价值之间的平衡性。这种亲切感，为双方设计与创意上的交流带来更多可能。
Denmark and China share a cultural affinity throughout the design history: adhering to the principles of fusing tradition and modernity, honoring craftsmanship, valuing natural materials, people-oriented and attempting to strike a balance between functionalism and product value. This proximity creates opportunities for design and artistic expression in reality.
依海而居的丹麦人，有着悠久的造船传统，以精湛而高水平的木工艺为豪，为工业生产渐进式发展提供了基础。20世纪初，工业生产的到来让热衷于探索新方式的丹麦设计师顺应时代变化，重新研究家具制式，以手工艺为核心，探索出独特的设计方法论。丹麦设计里承载着对自然材料的尊重与精细工艺的坚持，立足传统文化底蕴，自现代设计视角出发，结合对人、尺度、功能的关注，发展出自然、简约、兼具功能与美感的丹麦现代设计。
Danes have a tradition of shipbuilding and boast a high level of craftsmanship, which provided the basis for the progressive development of industrial production. Danish designers eager to experiment with new ideas, naturally responded to the changes in the times by re-examining furniture formats and exploring a distinctive design mélange, as a result of the introduction of industrial production at the turn of the 20th century. Their respect for fine craftsmanship and natural materials combined with the emphasis on people, scale, and function, thus developed a modern Danish design that is natural and simple, functional and beautiful.
这是变化的时代。世界迎来战后的文化繁荣，设计趋势随着社会生活更迭而改向。新材料与技术应运而生、消费主义发展带来了更为丰富的灵感与机会；设计超越了基本的“解决问题、满足功能”，被赋予了更多精神与人文层面的意义。丹麦设计师避开冷静且同质化的设计风潮，基于功能主义，使用人工合成的轻质材料，探索设计新形态 ——抽象的、有机的、技术化的高品质产品层见迭出，形成富有人情味、温暖亲和的现代北欧美学。
This was the period of change. The world saw a post-war cultural boom, society changed, and so did design trends. Designers had a wealth of creative inspiration and opportunities as a result of the development of new materials and technologies. Design evolved beyond the fundamental needs of problem-solving, given a more spiritual and human dimension. Danish designers explored new forms of functionalist design based on new synthetic and lightweight materials. As a result, abstract, organic, technical and high-quality products emerged, developing a humane, warm and welcoming modern aesthetics.
进入21世纪，彼时的作品已是设计史册上令人瞩目的经典。新生代设计师立足于传统，保持现代主义的简约性与功能性，在新旧材料与工艺的运用上推陈出新，从无边界的全球文化中汲取灵感，融入创作。他们敏锐地观察当下，根据生活方式和使用需求的更新提出有效的新型解决方案，如多功能座椅、模块化家具等。在新时代背景下，物件兼具功能与美感的多元属性，更融合当代生活、空间语境以及文化意义层面的深刻思考与解读。
In 21st century, works of the masters became renowned classics. A new generation of designers who are both rooted in tradition and influenced by a universal culture, push the boundaries of used and new materials, methods and forms, while upholding simplicity and functionality. They are astute observers of the present and develop innovative solutions based on changing lifestyles and usage needs. Designers’ creations in this new era have been going beyond the aesthetically beautiful and useful objects, containing profound ideas and interpretations of contemporary life, spatial contexts and cultural meanings.
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