东方雅韵，匠心传承 精品杂项共赏（411）

中国瓷器的发展，由宋代的大江南北成百上千窑口百花争艳的态势经由元代过度之后，到明代几乎变成了由景德镇各瓷窑一统天下的局面。景德镇瓷器产品占据了全国的主要市场，因此，真正代表明代瓷业时代特征的是景德镇瓷器。清朝时期陶瓷文化，清朝中国瓷器可谓登峰造极。数千年的经验，加上皇帝重视，瓷器的成就也非常卓越，使得清初的瓷器制作技术高超，成就不凡，是悠久的中国陶瓷史上最光耀灿烂的一页。本文主要介绍一件大清乾隆年制豆青釉八仙纹碗和一件大明宣德年制八仙提梁壶。

The development of China's porcelain, from the Song Dynasty to the Ming Dynasty, almost changed from the situation of hundreds of kilns in the north and south of the Yangtze River to the situation of the unification of all kilns in Jingdezhen. Jingdezhen Porcelain products occupy the main market in the country. Therefore, Jingdezhen Porcelain truly represents the characteristics of the Ming Dynasty Porcelain Industry. During the Qing Dynasty, the ceramic culture of China in the Qing Dynasty reached its peak. Thousands of years of experience, coupled with the emperor's attention, the achievements of porcelain are also remarkable, making the early Qing Dynasty's porcelain production technology superb, extraordinary achievements, is the most glorious page in the long history of Chinese ceramics. This paper mainly introduces an eight-immortal-grain bowl made of pea green glaze in Qianlong year of the Qing Dynasty and a eight-immortal-ladle pot made in Xuande year of Daming Dynasty.

Eight Immortal Bowls Made of Bean Green Glazein Qianlong Period of Qing Dynasty ; Daming Xuande Eight-Xian Tiliang Pot

编号(NO.)：ZLFW(VIP)-8680006

此件大清乾隆年制豆青釉八仙纹碗，通身采用豆青色釉烧制，烧造豆青釉的同时，还在釉上施以各种色彩绘制八仙图案，然后入窑二次烧造，淡雅的釉色衬托下的色彩，更加艳丽妩媚。此件大明宣德年制八仙提梁壶包浆醇厚，古朴自然，底部落款为“大明宣德”。整体造型流畅优美，弧腹上敛下丰，原配隆起壶盖，上设宝珠钮，壶肩设两系，上接绳纹拱形提把，一侧壶流胥出。上腹满作八仙人物环绕，其形态各异，神情愉悦，制作工艺十分精湛，线条流畅有力。

This eight-immortal bowl made of pea green glaze in Qianlong period of Qing Dynasty was burned with pea green glaze. While burning pea green glaze, various colors were applied to draw eight immortal patterns on the glaze. Then it was burned in kiln for the second time. The colors set off by the elegant glaze color were more beautiful and charming. This Daming Xuande annual eight Xian Tiliang pot is mellow, simple and natural, and the bottom tribe is "Daming Xuande". The overall shape is smooth and graceful, the arc belly is converging and the bottom is abundant. The original pot is equipped with a raised lid, a jewel button on the pot, two series of shoulders, and a rope arch handle on the pot. The one side of the pot runs out. The upper abdomen is surrounded by eight immortals with different shapes and pleasant looks. The production technology is exquisite and the lines are smooth and powerful.

八仙是中国民间传说中广为流传的道教八位神仙，道教的八仙缘起于唐宋时期，当时民间已有八仙图，在元朝马致远、范子安和谷子敬杂剧中，都有八仙的踪迹，但成员经常变动。八仙与道教许多神仙不同，均来自人间，而且都有多彩多姿的凡间故事，之后才得道，与一般神仙道貌岸然的形象截然不同，所以深受民众喜爱。此件大清乾隆年制豆青釉八仙纹碗和此件大明宣德年制八仙提梁壶皆有八仙图案和纹饰，极具艺术观赏价值和收藏价值。

Eight immortals are the eight immortals of Taoism which are widely spread in Chinese folklore. The eight immortals of Taoism originated in Tang and Song Dynasties. At that time, there were eight immortals pictures in folk. In Ma Zhiyuan, Fan Zi'an and Guzi Jing Zaju of Yuan Dynasty, there were eight immortals, but their members changed frequently. Eight immortals are different from many Taoist immortals. They all come from the human world and have colorful earthly stories. Only later did they get Tao, which is quite different from the general image of the immortals, so they are deeply loved by the people. This eight immortals bowl made of pea green glaze in Qianlong year of Qing Dynasty and this eight immortals ladle pot made in Xuande year of Daming Dynasty have eight immortals'patterns and decorations, which are of great artistic and ornamental value and collection value.