瓷器的工艺,不仅体现出当时的生产条件、生产方式、自然状况、人们的审美趋向、生活方式,还从中感受到当时的社会政治环境、社会经济文化发展程度。明代瓷器整体庄重古朴,大件器皿增多,相对于盘、碗、碟类器物来说制作难度就要大得多。
Porcelain craftsmanship not only reflects the conditions of production, mode of production, natural conditions, people's aesthetic trend, lifestyle, but also senses the social and political environment, socio-economic and cultural development at that time. Ming Dynasty porcelains as a whole are solemn and simple, and the number of large vessels increases. Compared with dishes, bowls and dishes, it is much more difficult to make them.
明代青花高足碗式香炉
Qinghua Gaozu Bowl Incense Burner
in Ming Dynasty
高(H):约13cm-14cm,口径(CAL):22.4cm
底径(RD):11cm
编号(NO.):ZLFW(2019)-868-170
此藏品为明代青花高足碗式香炉,香炉釉层均匀滋润,器型饱满。高足碗侈口,深腹,高圈足。型呈喇叭形,分为器身和高足两部分。 外壁饰有铭文环器身一周,字体孔武有力,俊秀洒脱。器底有小砂现象,见旋坯痕、跳刀痕,鲜明的时期特征。胎质精美,釉面给人以温润柔和之感,不仅展现了中华民族在陶瓷工艺上的发明和创造,更完美地表现了中华民族先人对美的艺术追本。
This collection is a blue and white high foot bowl incense stove of Ming Dynasty. The glaze layer of the incense stove is even and moist, and its shape is full. High foot bowl, deep abdomen, high circle foot. Type A is trumpet-shaped, which is divided into two parts: body and foot. The outer wall is decorated with an inscription ring for a week. The font is strong and handsome. There are small sand phenomena at the bottom of the tool, such as billet scratch and knife jump scratch, which have distinct characteristics of the period. With exquisite texture and soft glaze, it not only shows the invention and creation of Chinese nation in ceramic technology, but also perfectly reflects the artistic pursuit of beauty by Chinese ancestors.
高足碗式,也称马上杯,上为碗形,下似高柄,盛行干元代。据史料记载,高足碗式是蒙古族文化影响的一种时代特征,从设计制作工艺上看,略有头重脚轻之嫌,似站不稳的感觉,但工匠们在结构设计中,釆用黄金分割平稳的原理,从而使其在保证稳当的前提下,将整体线条和谐与美感发挥到极致。
Gaozu bowl style, also known as instant cup, is bowl-shaped on the top and high handle on the bottom, prevailing in the dry Yuan Dynasty. According to historical records, the high foot bowl style is a kind of characteristics of the times influenced by Mongolian culture. From the point of view of design and production technology, it seems that the top priority is slightly neglected and the craftsmen feel unstable. However, in the structural design, the craftsmen adopt the principle of stable golden section, so that under the premise of guaranteeing stability, the overall line harmony and aesthetic feeling can be brought into full play.




征集范围
精品陶瓷:历代窑口及各代官窑器,高古瓷等;
翡翠玉器:高古玉、明清玉、和田玉、籽料、翡翠等;
名家字画:历代名家字画、油画、水粉画、古代字画、近现代字画、古籍善本等;
杂项古玩:竹木雕刻、田黄寿山石、鸡血石、紫砂、金银铜器、印章、钱币等;
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