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童年时期，我时常因为一些瞬间侵袭的情绪产生欣喜或是悲伤，时而长时间注视一处景致发呆，却在被瞬间的打扰回归现实时感到清醒和振奋。
若说我是顺从的话，那我的姐姐则是叛逆的，经常与父母发生激烈的冲突，越到了青春期情况就越发的激烈。而我的顺从与乖巧则成为缓和与平衡父母的情绪的一剂良药，也不知是在这种冲突环境下成长的缘故，性格变得温和而内敛。然而随着我们姐弟两长大成人后情况却发生微妙的转化，姐姐始终陪伴在父母身边，嘘寒问暖，而我经常东奔西跑，久而不归。也许童年的懂事和乖巧都是被迫的，长大后就会在某个方面实现反弹。
在与人的沟通中也总是一副耐心倾听的样子，但内心的不服从无处释放，于是内心就一直否定，也许正是这样，那种乖巧与懂事流露在的表面，而叛逆就根植在内在。
During my childhood, I often felt happy or sad because of the emotions in my heart. Sometimes I would stare at a place and fall into a sleepless state, but when I was disturbed by the moment and returned to reality, I felt awake and alert.
If I am obedient, then my sister is rebellious and often conflicts with her parents about exercise. She started exercising when she reached adolescence. My obedience and well-behavedness became a good medicine to ease and balance my parents' emotions. I don't know if it was because I grew up in such a conflicting environment, but my personality became gentle and restrained. However, as our two siblings grew up, the situation changed subtly. My sister always stayed with our parents and asked about their welfare, while I often ran around and never came back for a long time. Maybe being sensible and well-behaved in childhood was forced, and you will rebound in some way when you grow up.
When communicating with others, he always looks patient and thoughtful, but there is no way to release the disobedience in his heart, so he keeps denying it in his heart. Maybe it is just like this, that kind of coincidence and sensibility are revealed on the surface, and rebellion takes root. It's inside.
改造前
原公寓户型为三室户型，包含三个阳台
户型中部含有房间的廊道
改造过程
邻近客厅的房间与客厅合并为一体，中部通道消除
厨房和邻近阳台与餐厅合并
剩下两个房间为一房
羊城
自古以来，广州就是对外的通商口岸，商业和贸易都极其发达，因此世界上最新最流行的商品都率先在这出现。所以广府人对于接受新事物的程度也是其他城市无以伦比的。
但尽管这样，广府人却不会因为接触了新事物而丢弃传统文化。现代社会重要节日以及人生中的重要日子，甚至生活中各种细节，都离不开各种祭拜仪式。夸张的说，广府人无论干什么事，嘴边总挂着“选个好日子”，由此可见，人们的社会活动与传统文化存在着割裂不开的纽带。
我出生在这个城市，是地道的广府人。然而在改革开放初期，现代城市的概念是个新鲜的玩意。那时都是村落式的布局，村落与城市无论在规模上，运作上以及形式上都存在天壤之别。
广州所属地区为亚热带气候，常年气候炎热潮湿。因此房子与房子的间隙相隔非常窄，两排房子相对而建，中间便形成巷，所有房子的门都面对巷子而开，巷子也非常狭窄，房子一般建成2层，因此在房子的一层的内部，几乎各家各户都有天井来解决通风采光的问题，一般被设定在正门处，厨房，厅堂以及储藏室围绕其布局，空间挑高至二层天台，此处能看见天空，而一层空间的采光几乎来源于天井，由于房子是砖墙结构，因此外墙的窗户的大小非常有限。即便如此，房子内部的空间依旧昏暗潮湿，也正是所处纬度的原因，避开常年炎热的天气，村落的形式才会如此呈现，紧密的布局可以避免太阳全方位照射到房子内部，而产生出更多阴暗清凉的室内环境气候。
我的童年便生活在这样的房子里，现在也不能回忆起那时对空间的情绪了，而这种阴暗的空间感还是难以忘却。那时候村里有的人相对富有，便开始建起水泥房子，混凝土结构可以让窗户开得更大，如果房子朝南，那屋子里一定是非常明亮的。记得儿时有一个玩伴家里就是这样的房子，那时候经常到他家玩耍，非常钟爱在那种明亮开敞的空间里，地面用的都是光洁的瓷砖，而我家用的工艺非常传统的陶土砖，虽说这种砖透气和自然，但是在阴暗的环境里，却一点也感受不到它的好处。
Since ancient times, Guangzhou has been a trading port with the outside world. Commerce and trade are extremely developed, so the latest and most popular commodities in the world are the first to appear here. Therefore, the degree to which Cantonese accept new things is unparalleled in other cities.
But despite this, Cantonese people will not abandon their traditional culture just because they are exposed to new things. Important festivals in modern society, important days in life, and even various details in life are inseparable from various worship rituals. It is an exaggeration to say that no matter what they do, Cantonese always talk about "choosing a good day". This shows that there is an inseparable link between people's social activities and traditional culture. I was born in this city and am an authentic Cantonese. However, in the early days of reform and opening up, the concept of modern cities was a new thing. At that time, they were all village-style layouts, and there were huge differences between villages and cities in terms of scale, operation, and form.
The area in Guangzhou has a subtropical climate, with hot and humid weather all year round. Therefore, the gap between houses is very narrow. Two rows of houses are built opposite each other, forming an alley in the middle. The doors of all houses open to the alley. The alley is also very narrow. Houses are generally built with two floors, so on the first floor of the house Inside, almost every household has a patio to solve the problem of ventilation and lighting. It is usually set at the main entrance. The kitchen, hall and storage room are arranged around it. The space is elevated to the second-floor rooftop, where the sky can be seen. The lighting on the first floor almost comes from the patio. Since the house is a brick wall structure, the size of the windows on the exterior wall is very limited. Even so, the space inside the house is still dark and humid. It is precisely because of the latitude that it is located to avoid the hot weather all year round, so the village form appears like this. The tight layout can prevent the sun from shining into the house from all directions, causing Produce a more dark and cool indoor environment climate.
I lived in a house like this during my childhood, and I can no longer recall my emotions about the space at that time, but this sense of gloomy space is still hard to forget. At that time, some people in the village were relatively wealthy and began to build concrete houses. The concrete structure allowed the windows to be opened wider. If the house faced south, the house would be very bright. I remember that when I was a child, I had a playmate who lived in a house like this. At that time, I often went to his house to play. I loved being in that bright and open space. The floors were all made of smooth ceramic tiles. The craftsmanship of my house was very traditional. Although clay bricks are breathable and natural, their benefits are not felt at all in a dark environment.
At that time, I longed for when I could have a bright house.
需求
Winn是个效率型的人，与我沟通起来效率简直太高了！期间几乎毫无周转，设计工作开展如流水作业般畅顺。房子是公寓产权，因此在室内空间配置上与住宅略有差异，诸如厨房较小等的缺陷属于司空见惯了。Winn希望原三房的格局改变成两房，同时两房间可以根据情况或合并或分离；另外房间以及房间内阳台跟客厅合并起来变成一个超大公共区域；厨房结合旁边阳台形成一个整体厨房。这几乎使这建筑面积只有150平方米的房子瞬间变成300平方米的空间体验。沙发靠墙的不变定律从此打破，取而代之的是一个结合沙发布局的书房区域（茶室）。直线来回的动线变成环形动线，空间变得无比宽敞和自由。原来餐厅区域旁边是封闭分离式的厨房和阳台，经改造后，搭载开放式吧台，加大了空间的进深，同时将户外更多的自然光线引入到原本采光不足的餐厨区域。
自从国内从上世纪九十年代电视开始逐渐普及到各家各户开始，电视机几乎成了客厅中的主角，而沙发与电视的关系更是密不可分。而随着电视屏幕技术的突破，如今电视的尺寸越来越大，厚度也越来越薄，而这也逐渐成了毁灭客厅的大家伙，在一个建筑面积只有100平方米的户型里，实用面积实际上只有不到80平方米，为了划出更多的房间，留给公共空间的面积几乎只剩最小值了，而在普遍的进深不到四米，开间三米的客厅空间里，那面所谓的电视墙，可谓真的只看见电视，看不见墙了。或许在娱乐至上的时代里，人的眼睛和脑袋与屏幕几乎就像连体婴一般密不可分。
我很庆幸Winn跟我说不要电视，平时她与丈夫不看电视，与其要一面电视墙，不如留给更多的藏书空间，这与我的想法不谋而合。
Winn is an efficient person, and his efficiency in communicating with me is simply too high! There was almost no turnover during this period, and the design work was carried out as smoothly as a streamlined operation.
The house is an apartment property, so the interior space configuration is slightly different from that of a house. Defects such as a smaller kitchen are commonplace. Winn hopes that the original three-bedroom layout will be changed into two rooms, and the two rooms can be merged or separated according to the situation; in addition, the room and the balcony in the room will be merged with the living room to become a large public area; the kitchen will be combined with the balcony next to it to form an overall kitchen. This almost instantly transforms a house with a construction area of only 150 square meters into a space experience of 300 square meters. The invariable law of sofas against the wall has been broken and replaced by a study area (tea room) combined with the layout of the sofa. The linear movement back and forth becomes a circular movement, and the space becomes extremely spacious and free. Originally, there was a closed and separated kitchen and balcony next to the dining area. After the renovation, it was equipped with an open bar, which increased the depth of the space and introduced more natural light from the outdoors into the originally under-lit dining and kitchen area.
Since television began to become popular in every household in China in the 1990s, television has almost become the protagonist of the living room, and the relationship between sofa and television is even more inseparable. With the breakthrough of TV screen technology, the size of TVs is getting larger and thinner, and this has gradually become a big thing that destroys the living room. In a house with a building area of only 100 square meters, it is practical The area is actually less than 80 square meters. In order to carve out more rooms, the area left for public space is almost the minimum. In the common living room space with a depth of less than four meters and a bay of three meters, then Facing the so-called TV wall, you can really only see the TV and not the wall. Perhaps in an era where entertainment is paramount, people’s eyes, heads and screens are almost as inseparable as Siamese twins.
I'm glad that Winn told me that I don't want a TV. She and her husband usually don't watch TV. Instead of having a TV wall, it would be better to leave more space for books. This coincides with my idea.
多管闲事
“No.1803”设计于2022年3月，设计到施工花费了18个月的时间，其中施工部分占据80%以上的时间，与预期施工时间相差甚远，究其原因，或因为施工方的专业素养，导致浪费了很多时间在不必要的沟通上，或是因为疫情原因的暂时性停工。
这是我第一个参与施工管理的项目，而实际上这非我的本职工作，只是单纯出于帮助的初衷，而这远比我想象中要复杂和困难，这些困难并非出于专业技术和经验上，而更多的是出于沟通和对接上，或许这也算是不错的经验吧，但希望这是最后一次参与这样工作了。
尽管图纸绘制得再详细和专业，如果施工方在施工的每个阶段前仍然临时通过电话询问如何实施这样非常不专业的操作的话，那真的是对设计和工作的亵渎和不负责。所以不管出于帮忙的初衷还是危难面前责无旁贷的职责，我不得不“多管闲事”，否则不可想象在几乎不阅读图纸的情况下施工的结果，恐怕不管是我或者业主都难以接受吧，所以只能冒着“好人干坏事”的头衔坚持管理到底了。
果不其然，不如意的事情还是如期而来，施工工序颠倒，不按图纸施工，细节误差严重等等这样的现场问题一个也不少的出现了。对于我这样的第一次参与施工管理的门外汉来说，拥有技术经验远不如社交经验来得管用，虽说表面耐心倾听，可对比起那些见面就和对方打成一片的社牛来说，我这种只能算是小白兔了，也许只有天天蹲在工地了才能避免不按图纸施工的意外的发生了。
"No.1803" was designed in March 2022. It took 18 months from design to construction, of which the construction part accounted for more than 80% of the time, which was far from the expected construction time. The reason may be because of the construction party's Professionalism has resulted in a lot of time being wasted on unnecessary communication, or temporary shutdowns due to the epidemic.
This is the first project that I have participated in construction management. In fact, this is not my job. It is just out of the original intention of helping. However, this is far more complicated and difficult than I imagined. These difficulties are not due to professional skills and In terms of experience, it is more about communication and docking. Maybe this is a good experience, but I hope this is the last time I will participate in such work.
No matter how detailed and professional the drawings are, if the construction party still temporarily calls to ask how to implement such a very unprofessional operation before each stage of construction, it is really blasphemous and irresponsible to the design and work. So no matter out of the original intention of helping or the unshirkable responsibility in the face of crisis, I have to "mind my own business", otherwise it is unimaginable to do the construction without reading the drawings. I am afraid that neither I nor the owner can accept it, so We can only risk the title of "good people doing bad things" and insist on managing to the end.
Sure enough, unsatisfactory things happened as scheduled. The construction process was reversed, construction was not carried out according to the drawings, serious details errors, and many other on-site problems appeared. For a layman like me who is participating in construction management for the first time, technical experience is far less useful than social experience. Although I listen patiently on the surface, compared to those social cows who get along with each other as soon as they meet, I can only It’s like a little white rabbit. Perhaps only by squatting at the construction site every day can we avoid accidents caused by not following the drawings.
顺从的叛逆
翻看完成过的每个项目，几乎都是在倾听和满足客户的需求下再添置自己想法，然而这种表里不一的做法，终究没办法使得设计得以纯粹展现。因此，每每复盘完成的案子之时，总带着遗憾与不忿。
可是如果光只有顺从的话，把叛逆的自我隐藏起来，那对设计而言就失去了其探索的意义和突破的价值。从事设计这个行业的魅力之处就在于游走在自我与诉求之间的间隙中，在间隙里寻找顺从与叛逆的平衡。
Rebel of obedience
Looking at every project I have completed, I almost always add my own ideas after listening to and meeting the needs of the customer. However, this inconsistent approach cannot allow the design to be purely displayed. Therefore, every time I review a completed case, I always feel regret and dissatisfaction.
However, if the only thing you can do is to be obedient and hide your rebellious self, then the design will lose its significance of exploration and breakthrough value. The charm of working in the design industry lies in wandering in the gap between self and demands, and finding the balance between obedience and rebellion in the gap.
Location | Guangzhou，China
Type | Apartment space & accessories design
主持设计 | 智勇 / 研行设计INSTINKSTUDIO
Leading Designer | Setsna / INSTINKSTUDIO
Illumination design | Lake lighting
House customize | Almond tree home
合作厂商 | Harmontex, Tenne, 晴物，利机石材，梵品，Heywood
Cooperative supplier | Harmontex, Tenne, Sunnywuu，Leigei stone，Fanpin，Heywood
Completion date | September, 2023
Photographer | INSTINKSTUDIO
WEB: www.instinkstudio.com
EMAL: info@instinkstudio.com
TEL: 8620 - 84503970
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