安藤忠雄：“所谓建筑，如果仅从图纸、照片或语汇这些二维的角度上进行描述，是无法了解它的全部的。随时间的改变而移动的光影，吹过的风所携带的味道，建筑中人们的交谈声，在周边漂浮的空气给肌肤带来的触感……除非亲自前往现场，使用人的手足乃至全身的感官与灵性来体验和感悟，似乎并没有其它的办法。”当你身处家中，去感受、去触摸，就一定会为它平和、温润的质感而感到惊喜。
Tadao Ando: "The so-called architecture cannot be understood if it is described only from the two-dimensional perspective of drawings, photos or vocabulary. The light and shadow moving with time, the smell carried by the wind, the conversation of people in the building, and the tactile sensation brought to the skin by the floating air around... Unless you go to the scene in person and use the senses and spirituality of people's hands, feet and even the whole body to experience and comprehend, there seems to be nothing else Methods. " When you are at home, to feel and touch, you will be surprised by its peaceful and warm texture.
家是栖居地，亦是一座隐秘的收藏馆
从未与世隔绝，却别有洞天
Home is a place of residence and a secret collection,
I've never been isolated from the world,
but I have a unique perspective.
家，是“存在即合理”的绝对包容，有趣的灵魂是保持着新鲜的内核，温暖而自由，极简而昭然。
Home is the absolute tolerance of "being is reasonable". The interesting soul keeps its fresh core, warm and free, simple and obvious.
喧嚣里，有生活里鸡毛蒜皮落下的情绪，有家人之间欢声笑语的默契，当心之向往落入生活的具象，私藏徐徐展开，所有美好便纷纷说与时光。
In the uproar, there are trivial emotions in life, tacit understandings of laughter and laughter among family members, careful yearning falls into the concrete image of life, and private collections slowly unfold. All the good things are said one after another with time.
在空间构造上色彩、线条与结构如何在各类关系中寻找平衡，是设计师不断去探寻构建的命题。
How to find a balance between color, line and structure in the spatial structure is a proposition that designers constantly explore and construct.
理想的空间，不仅仅是视觉上的简约统一，更应该是一种使用习惯的养成，在满足基本功能所需的前提下，对生活品质的进一步提升。
An ideal space is not only a simple and unified vision, but also a habit of use, which can further improve the quality of life on the premise of meeting the needs of basic functions.
