济南国际摄影双年展--邀请展
“异域·同天”中日韩高校摄影邀请展
-上海工程技术大学
上海工程技术大学
上海工程技术大学艺术设计学院摄影系,前身为1986年建立的“广告与影像技术系”,本科于2002年开始招生,每年招收50人。
摄影系在遵循发展“应用型特色大学”的办学理念,结合本地区经济发展战略与行业发展现状及人才需求为目标,培养应用实践能力与理论体系具备的从事图片摄影、影视摄影、摄影艺术创作、摄影教育与研究等相关工作者。同时,坚持自身国际化特色发展,长期与日本九州产业大学保持国际合作与交流,开展,加强学生国际化视野与思维的培养。
学生就业方向有:新闻媒体、企事业单位宣传部门、、影视传媒企业、音像出版企业、摄影厂商企业、广告公司、图片制作公司、以及开设个人摄影工作室等。
Shanghai University Of Engineering Science
The Department of Photography, School of Art and Design, Shanghai University of Engineering Science, formerly known as the "Department of Advertising and Imaging Technology" established in 1986, undergraduate enrollment began in 2002 and enrolls 50 people each year.
The Department of Photography is following the school-running philosophy of developing an "applied characteristic university", combining the regional economic development strategy, industry development status and talent demand as the goal, and cultivating applied practical ability and theoretical system to engage in photo photography, film and television photography, and photography art creation , Photography education and research and other related workers. At the same time, adhere to the development of its own international characteristics, maintain long-term international cooperation and exchanges with Kyushu Sangyo University in Japan, carry out and strengthen the cultivation of students' international vision and thinking.
The employment directions of students include: news media, publicity departments of enterprises and institutions, film and television media companies, audio and video publishing companies, photography companies, advertising companies, photo production companies, and setting up personal photography studios.
沈 洁 Shen Jie

《Introduction to "Car Carnival"》
The main body of "Return" is located in the historical area of Cangcheng, Songjiang District, Shanghai.
The creation is divided into two paths: First, the local history is displayed in the form of a digital QR code, which contains the initial physical measurement and process and its metadata information, as well as the description of related objects, people, places and time. From acquisition to processing, synthesis, interpretation, and finally to reconstruction. Second, the use of classical photography techniques—wet plates to record the spiritual cores carried by these historical areas is a return to photography techniques.
Today, we cannot imagine the historical information that technology can present hundreds of years later, just as the ancients cannot imagine the current life situation. If we do not use appropriate technology to record these historically valuable situations, one day people will realize the importance of these cultural heritages, and they will be unable to restore them due to lack of information.
In the process of creation, I am obsessed with the beauty of past memories, and the reconstruction brought about by changes is also the meaning of return.


谢天 Xie Tian

1986年生于上海,上海工程技术大学艺术设计学院摄影系副主任,日本九州产业大学艺术研究科写真领域硕士研究生。日本写真艺术学会会员。作品以影像方式探索都市生活中的“情景”与“城市发展与人类生活的关系”。曾获教育部主办的第二届全国大学生艺术展演摄影专业组一等奖;2013年上海市摄影艺术展铜奖、入选第二届上海青年摄影大赛等。
《都市·相似》
当行走在街头进行创作时,进入到视野中的任何事物会因为创作者所持有的对于影像表达的观点和态度而决定了记录的内容,从而产生了很多“相似”,但这些“相似”却又是独立的、客观存在的。



1997年出生于湖北荆门,2020年毕业于上海工程技术大学艺术设计学院摄影系,目前从事商业图片修图工作,参与艾莱依、丝侬、iD、3COLOUR等品牌拍摄工作。
《“垃圾分类学”》
这是一组关于“垃圾分类”研究的作品,2019年7月1日,上海正式进入垃圾分类强制时代,垃圾分类无疑成为当前最热门的话题之一。在2013年中国曾强制居民自行投放垃圾并进行分类的试点工作,引导居民自觉垃圾分类,减轻清洁环保人员的工作负担,促进环境文明建设。但只有少部分城市小区做到,一方面是政府对这一工作的宣传力度不够,很多二、三线城市及农村都不知道要将垃圾分类,部分小区也只是应付化走形式,不清楚具体的垃圾属于哪种分类,没有系统的分类标准,不能确保人人做到。另一方面是居民的垃圾分类回收意识淡薄,自身抵抗去实施政府的做法,只是单从个人角度觉得扔个垃圾还那么麻烦,吃力不讨好,所以,这是居民普遍综合素质低下的表现,对垃圾分类回收意识淡薄,不重视其给生活、环境带来的危害,作为一名大学生,应该要具有良好的环保意识,乐于接受环保、提倡环保。本课题关于垃圾分类题材的摄影作品为的是更好的影响当下人们积极树立环保垃圾分类的规范行为意识。通过垃圾分类的成果展示来体现人类的日常生活风貌和习性。
《Garbage Classification》
This is a group of works on "garbage classification" research. On July 1, 2019, Shanghai officially entered the era of mandatory garbage classification. Garbage classification has undoubtedly become one of the hottest topics at present. In 2013, China forced residents to put garbage on their own and carry out a pilot work of classification, guiding residents to consciously classify garbage, reducing the workload of cleaning and environmental protection personnel, and promoting the construction of environmental civilization. However, only a small number of urban communities do this. On the one hand, the government has not done enough to promote this work. Many second- and third-tier cities and rural areas don’t know how to separate waste. Some communities only deal with the form of waste removal, and they don’t know the specific waste. What kind of classification does it belong to, there is no systematic classification standard, and it cannot be guaranteed that everyone can do it. On the other hand, residents have a weak awareness of garbage classification and recycling, and they resist implementing the government’s practices. From a personal point of view, throwing garbage is so troublesome and thankless. Therefore, this is a manifestation of the general low overall quality of residents. The awareness of garbage sorting and recycling is weak and does not pay attention to the harm it brings to life and the environment. As a college student, you should have a good environmental awareness, be willing to accept and advocate environmental protection. The photographic works of this subject on the subject of garbage classification are intended to better influence the current people to actively establish the awareness of normative behavior of environmental protection garbage classification. Through the display of the results of garbage classification, the daily life style and habits of human beings are reflected.

王乐 Wang Le

40几年间,在黄浦江上建起了座座跨江大桥,桥梁带来了东西两岸文化和经济上的交流。以13座大桥下或辉煌或冷静的城市景观为线索,把上海的城市发展与变化通过镜头记录这一刻。既有赞叹,也有疑问,反映眼前实际所见,思考城市建设带来的影响。这一刻被记录下的景观,与多年前已是截然不同的样貌,时光流逝,大桥依然矗立,而这一刻拍摄的大桥下又必将会有新的风景。
《Introduction to " Landscape "》



张 杨 Zhang Yang

《Static food》
Daily food is recorded in the form of still life photography, and the most ordinary beauty is also worthy of being recorded and magnified.

朱峻烨 Zhu Junye

《都市·夜》


“异域·同天”中日韩高校摄影邀请展
主办单位:中国济南国际摄影双年展组委会
指导单位:中国摄影家协会教育委员会
媒体支持:《中国摄影》杂志社
总策展:张辉、吉川直哉(日本)、柳银珪(韩国)
鲍昆、百濑俊哉(日本)、中里和人(日本)、曹珽、顾铮、李树峰、林路、宿志刚、王川、谢爱军、张成义
第三期:2020“异域·同天” 中日韩高校摄影邀请展(第三期)- 韩国高校
第四期:2020“异域·同天”中日韩高校摄影邀请展(第四期)- 中央美术学院
第五期:2020“异域·同天”中日韩高校摄影邀请展(第五期)- 中国美术学院
第六期:2020“异域·同天” 中日韩高校摄影邀请展(第六期)- 西安美术学院
第七期:2020“异域·同天”中日韩高校摄影邀请展(第七期)- 清华大学美术学院
第八期:2020“异域·同天” 中日韩高校摄影邀请展(第八期) - 西安理工大学
第九期:2020“异域·同天” 中日韩高校摄影邀请展(第九期) - 鲁迅美术学院
第十期:2020“异域·同天” 中日韩高校摄影邀请展(第十期)- 四川美术学院
第十一期:2020“异域·同天” 中日韩高校摄影邀请展(第十一期) - 黄河科技学院
第十二期:2020“异域·同天” 中日韩高校摄影邀请展(第十二期) - 浙江传媒学院
第十三期:2020“异域·同天”中日韩高校摄影邀请展(第十三期) - 上海视觉艺术学院
第十四期:2020“异域·同天”中日韩高校摄影邀请展(第十四期) - 西安欧亚学院
第十五期:2020“异域·同天”中日韩高校摄影邀请展(第十五期)- 上海师范大学

