“异域·同天” 中日韩高校摄影邀请展(第十一期)-黄河科技学院- 大数跨境

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“异域·同天” 中日韩高校摄影邀请展(第十一期)-黄河科技学院

PHOTO CHANG AN

2020-11-25

导读：艺术总监：曾毅总策展：张辉、吉川直哉(日本)、柳银珪(韩国)学术主持：姚璐联合策展人：杨赫

2020“异域·同天”

中日韩高校摄影邀请展-黄河科技学院

艺术总监：曾毅

总策展：张辉、吉川直哉(日本)、柳银珪(韩国)

学术主持：姚璐

联合策展人：杨赫

黄河科技学院

黄河科技学院艺术设计学院摄影系成立于2004年，设有摄影和摄影摄像技术两个专业，在校生人数220余人。全系共有专职教师7名，企业导师1名，特聘教授1名。

摄影系自建立以来始终致力于培养学生用影像的方式认识和分析事物的能力，培养学生运用摄影技术手段进行生产、创作和表达的能力，并依托教育平台、校企合作平台，在人才培养过程中推行理论与实践相结合，用真实的课题锻炼学生的能力。通过10多年的努力，黄河科技学院摄影系的教学水平稳步增长，教学效果得到了明显提升。学生参与各类比赛获奖率，用人单位满意度也在逐年提高。

Huanghe S & T University

The Department of Photography of College of Art and Design, Huanghe S&T College, was founded in 2004, which sets up two professions, namely, photography and photographic technology and has a number of over 220 students in total. Among the teachers, seven are full-time, one is enterprise mentor and one is Distinguished Professor.

Since its establishment, the department of photography has always been dedicated to educating Students' s ability of understanding and analyzing things and the ability of producing, creating and expressing via photographic techniques. Besides, relying on education platform and school-enterprise cooperation platform, it combines theory and practice in the process of Students' s ability training and trains student's ability by virtue of real cases. With more than 10 years of efforts, the department's teaching level has been steadily increased and its teaching effect obviously improved. Besides, students have won more and more awards in various competitions and the employers become more and more satisfied with our graduates with each passing year.

赵亚红 ZhaoYahong

黄河科技学院摄影专业讲师，2014年毕业于西安理工大学影视动画系摄影专业，2014年至今任教于黄河科技学院摄影专业，讲师。

《无何有》

作品有选择的在当代艺术语境中，寻找相对知名和具有争议的当代艺术作品，同时这些作品在公共领域曝光量也是相对大的。作品通过把不同话语体系中对于这些件作品的理论阐释的文字平行铺开，把文字在视觉上的颜色和反差尽量处理的接近这张作品的图像外貌。当观众离远看这件作品图像时，看到的将是由文字的海洋构成的很像“这件作品的图像”，但是当观众走近看的时候，看到的将是细密绵延的不同话语体系对于“这件作品”的阐释。作品尝试探讨作为艺术话语体系中的阐释与原作的关系。

《Nothingness》

The works of "Nothing" selectively seek out relatively well-known and controversial contemporary art works in the context of contemporary art. At the same time, these works have relatively large exposure in the public domain. The work spreads the texts of the theoretical explanations of these works in different discourse systems in parallel, and treats the visual colors and contrasts of the texts as close as possible to the image appearance of this work. When the audience looks at the image of this work from a distance, they will see a sea of words, which is very similar to "the image of this work", but when the audience comes closer, they will see a fine and continuous difference. The discourse system's interpretation of "this work". The work attempts to explore the relationship between the interpretation and the original as an art discourse system.

梁立 LiangLi

1997年生于河南郑州黄河科技学院摄影专业2020届毕业生。

《惊蛰》

伴随着经济的发展，中国的城镇化进程也在不断的加快，我所在的城市的版图也在不断的向外扩张，我的家在2007年左右随着城市的扩张被包裹在城市之中，原有的村庄与耕地已经变成了现代的居民小区,在居住环境改变的同时我也完成了身份的转变。近些年来, 随着城市的继续扩张，我居住在城市之外更远的亲戚们也在经历着同样的变革,他们也即将完成身份的转变成为城市的新市民。拆迁是他们面临的第一个问题，他们的生活环境在悄然发生着变化，拆迁热潮在人们心中影响深远，人们为了获得更多的拆迁补偿对房屋进行扩建是城市扩张中应运而生的一种产物,已经得到了人们普遍的认同, 通过拆迁可在短期内获得巨额财富与更好的居住环境，这会引发人们心理的巨大变化，在面临拆迁前这种冲击对人们的影响就已经开始显现出来。在郑州规划的新区航空港区，13个乡镇的居民都在面临着拆迁的问题，为了获得更多的的利益，这些乡镇的房屋被扩建，耕地里会出现新的城市建筑，这些都是伴随城市扩张新出现的产物。同时我也发现我和我周边朋友完成身份转变后的变化，我希望人们从我的影像中看到这种剧变带来的影响并重新审视其中存在的问题。我的作品分为两个部分：第一部分是由于城市扩张所出现的建筑景观，第二部分是我周边一些经历了拆迁变革朋友的环境肖像。

《The Waking of Insects》

With the development of economy, China's urbanization process is also accelerating, the map of my city is also expanding outward. My home was wrapped in the city with the expansion of the city around 2007. The original villages and cultivated land have become modern residential areas. While the living environment has changed, I have also completed the transformation of identity. In recent years, with the continuous expansion of the city, my relatives who live far away from the city are also experiencing the same change. They are also about to complete the transformation of identity and become new citizens of the city. Demolition is the first problem they are facing. Their living environment is quietly changing. The upsurge of demolition has a far-reaching impact in people's hearts. In order to obtain more compensation for demolition, the expansion of houses is a product of urban expansion, which has been widely recognized by people, The huge wealth and better living environment can be obtained in a short time through demolition, which will cause great changes in people's psychology. Before the demolition, the impact on people has begun to show. In the new airport port area planned by Zhengzhou, the residents of 13 villages and towns are facing the problem of demolition. In order to obtain more benefits, the houses in these towns are expanded, and new urban buildings will appear in the cultivated land, which are the new products of urban expansion. At the same time, I also found that my friends and I had changed their identities. I hope people can see the impact of this dramatic change in my images and reexamine the problems. My work is divided into two parts: the first part is the architectural landscape due to the urban expansion; the second part is the environmental portraits of some friends who have experienced the demolition and transformation around me.

吕明明 LvMingming

1997年生于河南驻马店黄河科技学院摄影专业2020届毕业生。

《蛤蟆湾》

蛤蟆湾，是我的家乡。是河南省驻马店市泌阳县官庄镇的一个村庄，我从出生开始就没有离开过我的村庄，所以对于我的村庄我有着深厚的感情。我从初中开始就是住宿生了，初中的时候是每周回家一次，高中的时候是每月回家一次，可能当时还小并不觉得村子有多大的变化，当我上了大学以后每年就回家两三次就会发现村庄的人气越来越少了。原本六十几户的村庄现在只剩下三十几户人家，村中只有老人留守，因为大多数年轻人不愿意留在村里，想要追随时代的发展，去城市中谋求新的生活环境。这也就造就了村庄的没落和萎缩。此次创作的内容就是对于村庄现如今的空村状态，可能是因为农村的生活条件、家里的经济基础、社会发展的压力等原因，据调查家里的经济条件不好是主要原因。所以我决定去寻找空心村的具体原因。希望能够更加深入的了解到农村没落的原因和未来发展的方向。我以我自己的村庄为例进行实际的调查和拍摄，来映射出现在农村的这种大的社会现状。希望观赏者能够通过我的作品可以了解到更多关于农村的一些现实的问题。

《Toad Bay》

Toad Bay is my hometown. It is a village in Guanzhuang Town, Biyang County, Zhumadian City, Henan Province. I have never left my village since I was born, so I have deep feelings for my village. I have been a resident since junior high school. I went home once a week in junior high school and once a month in high school. Maybe I was young and didn't think the village had changed much. When I went back to college two or three times a year, I would find that the popularity of the village has become less and less. There are only 30 or so families left in the village, and only the old people are left behind. Most of the young people do not want to stay in the village. They want to follow the development of the times and seek a new living environment in the city. This has led to the decline and shrinkage of villages. The content of this creation is about the current empty village state of the village, which may be due to the living conditions in the countryside, the economic foundation of the family and the pressure of social development. According to the survey, the poor economic conditions of the family are the main reasons. So I decided to look for the specific reasons for the hollow village. Hope to be able to more in-depth understanding of the causes of rural decline and the direction of future development. I take my own village as an example to conduct actual investigation and photography, to map the large social status quo in rural areas. I hope the viewers can learn more about some practical problems in rural areas through my works.

邢永彬 XingYongbin

1998年生于山东泰安黄河科技学院摄影专业2020届毕业生。

邹超正 ZhaoChaozheng

1998年生于山东临沂黄河科技学院摄影专业2020届毕业生。

《网络碎片》

信息时代的到来，人们在网上获取知识的方式多种多样，却也悄然影响着人们的思维习惯与认知能力。比起获取信息还要靠书本、新闻的时代，如今我们获取信息更加便捷，也更加具有指向性，这种即问即答式的便捷很容易给人带来一种学富五车的错觉，让人陷入自我满足的境地；这种错觉若一直持续或可造成人的思考碎片化，并不能形成完整的思考体系。本次作品创作共分为两部分，第一部分是对于网络信息的初步截取与分类，第二部分则是对于信息的整合，将来自直播、短视频、知乎微博等主流网络信息传送窗口的信息进行整合。从而形成六张无序但又整体的信息图像。每个信息图像都在保证不变形的情况下进行最细致化的裁切。作品以菲林片为材质进行放大打印输出，菲林片的透光性可以使得作品的影射变得更加明显，更利于突出整幅作品的破碎感，带给观者思考的同时也能带去梦幻般的体验。

《Network fragmentation》

With the advent of the information age, there are various ways for people to acquire knowledge on the Internet, but they also influence people's thinking habits and cognitive ability. Compared with the era when we need to rely on books and news to obtain information, now we have more convenient and directional access to information. This kind of convenience of question and answer is easy to give people the illusion that they are rich in learning and fall into the situation of self satisfaction. If this illusion continues or can cause fragmentation of adult thinking, it can not form a complete thinking system. The creation of this work is divided into two parts: the first part is the preliminary interception and classification of network information; the second part is the integration of information, which integrates the information from the mainstream network information transmission windows such as live broadcast, short video, Zhihu microblog, etc. Six disordered but integral information images are formed. Each information image is cut in the most meticulous way without deformation. The film is used as the material to enlarge and print out the works. The transparency of the film can make the reflection of the work more obvious, which is more conducive to highlight the fragmentation of the whole work. It can bring the viewer thinking and also bring a dreamlike experience.

朱慧杰 ZhuHuijie

1997年生于河南周口黄河科技学院摄影专业2020毕业生。

《笑忘书》

我很不幸，在幼年时期的一次意外中，我的右臂被烫伤了，在这之后疤痕就成为了伴随我生活的话题。它不仅带来了身体上的痛楚，也给我带了更为持久的心理上的困扰，这种皮肤的变异让我不得不面对异样的眼光，不得不竭尽所能掩盖它的存在，在这个过程中我开始变得易怒、孤僻和烦躁。我又很幸运，在少年时期我爱上了音乐、摄影与文身，后来它们成为了我摆脱困扰的关键。跟疤痕一样，文身的结果也是皮肤的异常化，而对于它的评价似乎没有像对于疤痕一样那么统一，当彩色的墨水在我的身上留下痕迹的时候，自信也开始在内心慢慢的生长；摄影和音乐，我想它们是我观察生活，理解生活的方式，也是情绪的出口。有很多人跟当年的我一样不幸，因为各种各样的原因，仍在承受着精神上的痛苦和煎熬。我想让他们跟我一样幸运，所以我用相机拍下我的故事和他们的故事，并用我最喜欢的歌曲《笑忘书》为这组作品命了名。

《Book of Smiling and Forgetting》

Unfortunately, in an accident in my childhood, my right arm was scalded. After that, scar became the topic of my life. It not only brought physical pain, but also brought me more lasting psychological problems. This skin mutation made me have to face different eyes and try my best to cover up its existence. In the process, I began to become irritable, withdrawn and irritable. I was lucky again. As a teenager, I fell in love with music, photography and tattoos, which later became the key to getting rid of my troubles. Like scars, tattoo results in abnormal skin, and the evaluation of it seems not as unified as for scars. When the color ink left traces on my body, self-confidence began to grow slowly in my heart. Photography and music, I think, are my way of observing life and understanding life, and also the outlet of emotion. Many people are as unfortunate as me at that time. For various reasons, they are still suffering from mental pain and suffering. I wanted them to be as lucky as I was, so I took pictures of my stories and their stories with my camera, and named this group of works with my favorite song "Book of Smiling and Forgetting".