2022“微芒成阳”亚太地区高校摄影邀请展(第20期)-浙江传媒学院

济南国际摄影双年展第三届高校邀请展

“微芒成阳”亚太地区高校摄影邀请展

—浙江传媒学院

艺术总监：曾毅

总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)

学术主持：姚璐

联合策展人：王原平

浙江传媒学院设计艺术学院摄影专业为国家级一流本科专业建设点、“十二五”省新型特色专业、“十三五”省特色专业、省一流专业建设点，在中国科学评价研究中心发布的《中国大学及学科专业评价报告》中连续七年获得五星评价，位列全国同类专业前列。拥有“世界摄影史”“报道摄影与图片编辑”“手机摄影艺术”3门国家级一流课程。通过举办“‘徐肖冰杯’中国大学生摄影双年展”“浙江省大学生摄影竞赛”“丽水摄影节国际高校摄影联展暨摄影教育论坛”，形成行业美誉度和社会知名度。

本专业拥有教育部高等学校美术学类专业教学指导委员会委员、世界新闻摄影比赛获奖者等一批专家型教师。分为新闻纪实摄影方向、商业摄影方向、融媒体影像方向三个柔性专业方向，学生在全国摄影艺术展览、三影堂艺术展等国内国际大展中屡屡获奖。

Communication University of Zhejiang

The photography major of the School of Design and Art of Communication University of Zhejiang is a national first-class undergraduate professional construction point, a new provincial characteristic major during the "12th Five Year Plan" period, a provincial characteristic major during the "13th Five Year Plan" period, and a provincial first-class major construction point. It has won five-star evaluation for seven consecutive years in the Evaluation Report of Chinese Universities and Disciplines issued by the China Science Evaluation and Research Center, and ranks among the top of similar majors in China. It has three national first-class courses: "History of World Photography", "Reporting Photography and Photo Editing" and "Art of Mobile Phone Photography". Through holding "Xu Xiaobing Cup" Chinese College Students Photography Biennale " " Zhejiang University Students Photography Competition" "Lishui Photography Festival International College Photography Joint Exhibition and Photography Education Forum", the industry reputation and social visibility are formed.

李锦  Li Jin

李锦（b1988）艺术家，讲师，现任教于浙江传媒学院摄影系。毕业于中央美术学院、英国皇家艺术学院，作品获得哈里班奖（Hariban Award）佳作奖，PH Museum年度作品，全国青年摄影大展优秀作品等奖项，入选2020年浙江省造型人才新峰计划；入围Athens Photo Festival、Gomma Award等，作品发表于《中国摄影家》、《光影新峰》、《IS magazine》、《Exit Strategies》等杂志书籍上。

《黑暗中的书写》 

作品《黑暗中的书写》是个人对“速成”的回应和思考。网络消费与算法科技结合的越来越紧密，通过算法运用关键词搜索可以在最短的时间内获得相关的商品链接或者信息。同样，商品的设计也在潜移默化的追求方便快捷速效，人们可以非常容易的得到某种结果。“速成”这样的现实是双面的，既是便利的又是“廉价的”。作品分为静态图像与行为录像两部分，静态图像拍摄了生活中使用的、可以帮助人们“速成”的商品，试图通过摄影本身的特性去除画面中的空间与商品属性；行为录像则是运用监控摄像镜头，在全黑的状态下去掉视觉的干扰，默写这些商品在网站上的搜索全称，试图呈现出原始缓慢的自我的识别过程，实现“极快的”与“极慢的”的时间对话。

《Writing In the Dark》

Writing in the Dark is a personal response to and reflection on "quick work". The combination of network consumption and algorithm technology is more and more closely, through the algorithm using keyword search can get the relevant commodity links or information in the shortest time. Similarly, the design of commodities is also subtly in pursuit of convenience and quick effect, so that people can get certain results very easily. The reality of "quick fix" is both convenient and cheap. The work is divided into two parts: static image and behavior video. The static image captures the commodities used in life that can help people "make a quick profit", trying to remove the space and commodity attributes in the picture through the characteristics of photography itself. Behavior video is to use the surveillance camera lens to remove the visual interference in the completely black state, and to write down the full search name of these products on the website, trying to present the original slow self-identification process, and realize the time dialogue between "extremely fast" and "extremely slow".

《A-23-1》 

2022年清明节，我从外地回到家乡祭祖，但疫情席卷而来，我因是外地返乡，按照规定被送至方舱进行七天的集中隔离。我在方舱里的代号是“A-23-1”，我好奇之前还曾有多少个A-23-1在这个空间中徘徊过。我好像能从这个空间给我的各种暗示中感觉到他们犹如困兽般的挣扎。从一开始的束手无策到最后的轻车熟路，起初被困于此的愤怒被一天天规律统一的作息化解，一切逐渐成为了成规。而在这个房间里缺少真正可以浸泡身体的自然的阳光，可当七天隔离结束我最后踏出房间迎面撞向久违的太阳时，我又发现这个世界实在是太热了。这个作品由20幅数码静态图片组成，呈现了从进入方舱隔离到离开期间我在这个一览无余的房间里对一切可见外观的观察以及心境的变迁，同时也借助摄影对抗时间。

邓朗炫  赵智泉  詹所以

Deng Langxuan  Zhao Zhiquan  Zhan SuoYi

《风边界》 

《Wind Boundary》

Urban heat island effect refers to the urban "high temperature" caused by a large number of artificial heating, buildings, roads and other high heat storage and green space reduction. The dense and tall buildings in the city block the airflow and reduce the urban wind speed. Due to the urban heat island effect, the city and the suburbs form a thermal circulation that is the same day and night. This device is a wind energy sensing device, which outputs different sounds according to the wind volume, and then imports the sound output from the device into the touch designer to realize sound visualization and "wind energy visualization". The device was originally intended to test the change of wind speed caused by urbanization building facilities. Later, it was found that this single test data was too straightforward and single, so it was intended to use mechanized and digital forms of expression for poetic expression. The TV shows the current wind, but the wind is trapped in a warm "island", forming an invisible barrier. This work hopes to show the impact of the heat island effect in such a way, and also want to alert the cities in the heat island to how to deal with urban planning. The wind energy under different intensities is recorded and converted into corresponding sound waveform in real time, and then the randomly generated images are used for virtual expression. Make the invisible wind of natural existence reappear with scientific and technological means, and put the displayed picture back into its existing environment. With a poetic expression, it shows an opposite or balanced relationship between human activities and nature.

李翰原  Li Hanyuan

《如何淹没一棵树》

作品《如何淹没一棵树》是关于“家庭情绪记忆”的一次探索。

“情绪记忆”是法国心理学家Robot于1894年在他的《情绪记忆研究》中提出的。情绪是人类生活在不可缺少的情感元素，它主导了我们对事物的认知与记忆。而记忆同样是我们生活中最为重要的部分。

随着时代的急速发展，年轻一代的思想逐渐解放，我们作为独立存在的个体，越来越想要脱离原始的“家庭困境”，父母总是寄予我们高度的期望以及情绪的宣泄，我将这样的“困境”称为“情感藩篱”。该作品的初衷仅仅是个人情绪的宣泄与个人存在的思考，当项目深入，个体、父母、家庭与家族的情绪记忆再次涌现。我将情感通过观念摄影的方式，解构进行抽象转化为具象物件加以呈现，有别于传统家庭影像的方式，将亲情纽带抽象表达。

在这样一次次对于情感的解构与重组过程中，我逐渐找回属于亲情的情绪记忆，从而思考我们并非需要逃离这样的“情感藩篱”，重点在于我们该如何从其中捕获亲情的记忆，由此获得我们所需的情感动力。

《How to Submerge a Tree》

How to Drown a Tree is an exploration of family emotional memory.

"Emotional memory" was proposed by the French psychologist Robot in his Study of Emotional Memory in 1894. Emotion is an indispensable emotional element in human life, which dominates our cognition and memory of things. And memory is also the most important part of our lives.

With the rapid development of The Times, the minds of the young generation are gradually liberated. As independent individuals, we increasingly want to get rid of the original "family dilemma". Our parents always place high expectations on us and vent their emotions, which I call "emotional barriers". The original intention of this work is only the catharsis of personal emotions and the reflection of personal existence. As the project goes deeper, emotional memories of individuals, parents, families and families emerge again. Through conceptual photography, I deconstruct emotions and transform them into concrete objects to present them, which is different from the traditional way of family images and abstract expression of family ties.

In the process of deconstructing and reorganizing emotions again and again, I gradually recovered emotional memories belonging to family ties, thus thinking that we do not need to escape from such "emotional barriers", the key is how we capture family memories from them, so as to obtain the emotional power we need.

文敏怡  Wen Minyi

《野猪影像调查报告》 

封山育林，退耕还林等政策的实施，使得野猪得以休养生息，迅速繁殖，“三有”保护动物的名号更是给了野猪一个“免死金牌”。但是野猪们可不满足于现状，野猪们拉帮结派，清晨或傍晚都敢雄赳赳气昂昂行走于乡间小路之间，总要下山与村民们来一个声东击西。

但村民们可不会坐以待毙，围绕着田地里即将成熟的庄稼，和山上的野猪展开艰苦的攻防大战。扎草人，搭棚子看护，敲脸盆，放烟花，使尽全身解数与野猪斗智斗勇，就不信人类的智慧还比不上“猪脑子”?

野猪和村民，你中有我，我中有你，这一场没有硝烟的战争此刻正上演。

《Investigation Report On Wild Boar Image》

The implementation of the policies such as closing the mountains to cultivate forests and returning farmland to forests makes the wild boar rest and reproduce rapidly. The name of "three have" animal protection gives the wild boar a "gold medal of avoiding death". But the wild boar is not satisfied with the present situation, the wild boar in groups, early in the morning or evening are valiant to walk between the country road, always down the hill and the villagers to a diversion.

But the villagers are not going to sit still and fight hard over the ripening crops in the fields and the wild boars in the mountains. A straw man, build a shed to watch, knock the washbasin, fireworks, so that the whole body solution and wild boar battle of wits and courage, do not believe that human wisdom is not as good as "pig brain"?

Wild boar and villagers, you have me, I have you, this is a war without smoke of gunpowder is now staged.

往期回顾（点击进入链接）：

第十八期：2022“微芒成阳”亚太地区高校摄影邀请展(第18期)-山东工艺美术学院

第十九期：2022“微芒成阳”亚太地区高校摄影邀请展(第19期)-湖北美术学院