“异域·同天”中日韩高校摄影邀请展（第十八期）-北京印刷学院- 大数跨境

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“异域·同天”中日韩高校摄影邀请展（第十八期）-北京印刷学院

PHOTO CHANG AN

2020-12-02

导读：艺术总监：曾毅总策展：张辉、吉川直哉(日本)、柳银珪(韩国)学术主持：姚璐联合策展人：史民峰

济南国际摄影双年展--邀请展

“异域·同天”中日韩高校摄影邀请展

-北京印刷学院

艺术总监：曾毅

总策展：张辉、吉川直哉(日本)、柳银珪(韩国)

学术主持：姚璐

联合策展人：史民峰

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北京印刷学院

北京印刷学院的摄影教育始于2004年，以本校印刷出版和文化创意产业资源开始了高质量图片摄影教育，并积累了雄厚的影像教育资源。本专业在媒体时代，强调影像和新媒体、设计的学科交叉，特色为“和新媒体应用相结合的影像创作与商业应用”。拥有专业师资队伍和影棚、影像编辑、特效制作等专业实验室，配套有大批专业摄影及影视拍摄相关设备。学生作品先后多次获得摄影比赛重要奖项，多次受邀参加大型展览和专业展览，作品被多家国内外机构收藏，在高校摄影教育领域拥有广泛的影响。本专业与欧美多所大学有国际合作，拥有美术学一级学科(影像艺术方向)和艺术设计(媒体影像方向)硕士招生点，以及多名硕士生导师，为学生进一步深造提供了广阔的舞台。

Beijing Institute Of Graphic Communication

The photography education of Beijing Institute of printing began in 2004. With the resources of printing and publishing and cultural creative industry, Beijing printing University started high-quality photo photography education, and accumulated abundant image education resources. In the media age, this major emphasizes the interdisciplinary intersection of image, new media and design, and features "image creation and commercial application combined with new media application". It has professional teachers and studios, image editing, special effects production and other professional laboratories led by famous domestic photographers. It also has a large number of professional photography and film and television shooting related equipment. Students' works have won important awards in photography competitions for many times, and have been invited to participate in large-scale exhibitions and professional exhibitions for many times. Their works have been collected by many domestic and foreign institutions, and have a wide influence in the field of photography education in Colleges and universities. This major has international cooperation with many universities in Europe and America. It has a master's enrollment point of first-class discipline of Fine Arts (image art direction) and art design (media image direction), as well as a number of master's tutors, providing a broad stage for students to further study.

史民峰 ShiMinFeng

教授、硕士研究生导师，北京印刷学院设计艺术学院党委书记，影像艺术家。中国摄影家协会摄影教育委员会委员，中国高等教育学会摄影专业委员会监事、中国工业设计协会信息与交互设计专业委员会副主任委员。主持国家艺术基金《摄影手工制作工艺青年传承人培养计划》、国家社科基金艺术学项目和国家社科基金后期资助项目等研究课题，多次举办个人艺术展，作品被国内专业机构和个人收藏。

2018年获得北京市教育教学成果奖一等奖，2019年、2020年国家社科基金艺术学项目通讯评审专家，2020年国家社科基金后期资助项目（艺术学）通讯评审专家，第27届全国摄影艺术展览评委。

《大爱无疆》

山河飞雪漫天，泪无边，疫情舆情当前，谁当先。2月14日，漫天的鹅毛大雪降临北京。

《Boundless love》

The mountains and rivers are snowing all over the sky and tears are boundless. Who should be the first in the epidemic public opinion. On February 14, the snow came to Beijing.

郭佳鹏 GuoJiaPeng

郭佳鹏，1998年11月生于河北，中共党员，现就读于北京印刷学院。北京市优秀大学生党员，个人发明“美术酷“荣获国家专利；2018年获得台湾国际摄影展一等奖；2018年北京市多媒体大赛中时尚创意摄影作品获得二等奖；2019年作品《别·造》获得北京时装周三等奖；荣获加拿大国际手绘明信片大赛优秀奖。群展：第二十届平遥国际摄影大展。

《守“灵”人》

通过湿版工艺特定的拍摄角度以及人物呈现的不同时代的标志性动作，通过对建筑局部元素的提取等手法，创作出以中国建筑元素为主要内容的富有中国士人画气韵和思想的影像作品。了解守陵人作为当代特殊甚至无偿的一个小众职业，在现代社会是怎样的一个存在，探究陵园守陵人兢兢业业背后支撑的秘密，是怎样的信仰？是怎样的坚持，又是怎样的方式？进一步引发大家的思考。通过空间、时间差，找寻自己需要守护的东西：…让我们在信息过量的现在，还能够找到被我们遗忘的却很珍贵的东西。

《"Spirit" man》

Through the specific shooting angle of wet plate technology and the symbolic actions of different times presented by the characters, and through the extraction of local elements of architecture, the image works with Chinese architectural elements as the main content are rich in charm and thoughts of Chinese scholars' paintings. To understand the existence of tomb keepers in modern society, as a special and even unpaid minority occupation, and to explore the secret and belief behind their conscientious work? What kind of persistence, and how? This will further arouse people's thinking. Through space and time difference, find what you need to guard Let us in the information overload now, but also can find by us forgets the very precious thing.

毛金强 MaoJinQiang

毛金强，男，汉族，25岁，毕业于北京印刷学院摄影系，现居在广东茂名，2020年获第20届平遥国际摄影大展"院校优秀作品奖"。

《重构》

该组作品是一组有关于环境污染的摄影作品。是通过选取有关于人、动物、植物等物品，使用解构、变形与拼接的方式，对拍摄对象的主体进行重构，打破原有的事物之间的联系，颠覆其表层含义，把一些原本有生命的东西进行重新组合，产生新的生命力。通过对原始影像本体的破坏和拆解，将主体形态拆分为多个相对独立的部分，夸张放大某一局部，再重新组合的方式，多角度的展示摄影对象。借鉴“霍尼克式”典型拼贴的摄影样式来呈现作品！用日常生活中的动植物进行重构，在给观看者带来视觉呈现的同时，反映现代工业文明下的生命的残酷与不道德，并使人重新思考生命的意义，人将如何与大自然和谐共处！

《Restructure》

This group of works is a group of photography about environmental pollution. By selecting objects about people, animals, plants and so on, using the method of deconstruction, deformation and splicing, the main body of the shooting object is reconstructed to break the relationship between the original things, subvert its surface meaning, and recombine some original living things to produce new vitality. Through the destruction and disassembly of the original image ontology, the main form is divided into several relatively independent parts, exaggerate and enlarge a part, and then recombine to display the photographic object from multiple angles. Draw on the typical collage style of "honic style" to present the works! Reconstruction with animals and plants in daily life can not only bring visual presentation to viewers, but also reflect the cruelty and immorality of life under the modern industrial civilization, and make people rethink the meaning of life and how to live in harmony with nature!

任正楠 RenZhengNan

任正楠，1997年生于北京，2020年毕业于北京印刷学院摄影艺术专业，获学士学位。现工作生活于北京、成都。群展：第20届中国平遥国际摄影大展，晋中，中国；三影堂厦门摄影艺术中心“无界Unbounded”，厦门，中国。

《我们拿什么证明他的存在》

这组作品以特殊的视觉语言和视觉感官为媒介，试图还原梦境，证明它的“存在”。像是大脑里错乱的代码，虚构空间里的记忆片段。失焦的、单色的，却又实实在在出现过的每一个瞬间。

《What can we prove his existence》

With the media of special visual language and visual senses, this group of works tries to restore the dream and prove its "existence". It's like the messy code in the brain, the memory fragments in the fictional space. Out of focus, monochromatic, but actually every moment that has appeared.