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Water Lily Locations in CC

Water Lily Locations in CC CCExpat-old
2020-06-19
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导读:There are two kinds of water lilies in Changchun. One

There are two kinds of water lilies in Changchun. One is called 睡莲 shuì lián 

the other one is called 荷花 hé huā 。 


睡莲 shuì lián 
荷花 hé huā 



June is the best time to see 睡莲 shuì lián, July is the best time to see 荷花 hé huā in Changchun. So now it is the time to see 睡莲 shuì lián. 

Where can go to see the beautiful 睡莲 shuì lián? Here are the parks where you can go to see them. 



  1.  South Lake Park 南湖公园 nán hú gōng yuánr

 




2.   Moon Lake Park 净月潭  jìng yuè tán 





3.   North Lake Park 北湖国家湿地公园 běi hú guó jiā shī dì gōng yuánr





4.   Sculpture Park 长春世界雕塑公园 cháng chūn shì jiè diāo sù gōng yuánr





5.   Changchun Park 长春公园 cháng chūn gōng yuánr





6. Shengli Park 胜利公园 shèng lì gōng yuánr





Water Lilies Painting 




Artist: Claude MONET

Birth/Death: 1840–1926

Title: Waterlilies and Japanese bridge

Date Made: 1899 

Lender: Art Museum, Princeton University, New Jersey 

Credit Line: From the collection of William Church Osborn, Class of 1883, Trustee of the Princeton University (1914-1951), President of the Metropolitan Museum of Art (1941-1947); Gift of his family

Inside Kameido Tenjin Shrine — indeed Hiroshige’s image may have inspired Monet to have an arch built over his bridge on which to grow wisteria. Hiroshige placed small figures on the bridge and sitting under wisteria on the opposite bank; Monet has depicted a nature that is completely solitary, even at the heart of his family garden.

In the Japanese bridge paintings, Monet had retained a subtle linear perspective which channels the eye into depth, thus conserving a characteristic of naturalistic painting where the picture plane is conceived as a window through which one looks at a view. There are traces of this mode of seeing in the earliest water landscapes at Giverny where Monet depicted fragments of the world beyond the pool — reeds or willow fronds, the bank of the pool.

In the 1900 series the greens and golds are interwoven with strokes of fiery red from the setting sun that irradiate the whole composition with pulsing colour, and draw the eye down to the depths of the pool beneath the shiny reflections between the islands of waterlily leaves. Pink and white lilies astonishingly hold their own against the reds. These paintings — were influenced by the equally sensuous Japanese screens representing flowers on a gold ground that reflects light (see Bush clover, pampas grass and chrysanthemum, attributed to So¯setsu).






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