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2025年大阪世博会——塞尔维亚馆

2025年大阪世博会——塞尔维亚馆 搜建筑
2025-06-13
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2025年大阪世博会的塞尔维亚馆将自己定位为一个引人注目的可持续发展和文化设计大使,将技术远见与情感叙事相结合。该展馆由ALEATEK工作室设计,体现了“浮动森林”的概念,参考了贝尔格莱德受保护的Ratno Ostrvo(大战岛),是唯一一个以生活景观为特色的世博会展馆,其95%以上的材料是可回收的,80%在未来的建筑中可重复使用。

The Serbian Pavilion at Expo 2025 Osaka positions itself as a striking ambassador of sustainable and culture-infused design, combining technological foresight with emotional narrative. Designed by ALEATEK Studio, the pavilion manifests the concept of a "Floating Forest", referencing Belgrade's protected Ratno Ostrvo (Great War Island), and stands as the only Expo pavilion featuring a living façade, with over 95% of its materials being recyclable and 80% reusable in future constructions.

该展馆位于西入口和地球广场的战略位置,高度可见且易于进入,立即成为吸引游客的磁石,在开幕当天接待了创纪录的10,000多名游客。其充满活力的空间规划与2025年世博会的“社会5.0”愿景和即将到来的贝尔格莱德2027年世博会的主题“为人类而战”保持一致。它积极地融合了技术和生态叙事,提供了建筑创新和沉浸式文化叙事的平台。

Strategically placed at the West Entrance and Earth Plaza, this highly visible and easily accessible pavilion immediately became a visitor magnet, welcoming a record 10,000+ guests on opening day. Its dynamic spatial program aligns with both Expo 2025's "Society 5.0" vision and the upcoming Belgrade Expo 2027 theme: Play for Humanity. It actively blends technological and ecological narratives, offering both architectural innovation and a platform for immersive cultural storytelling.

游客被引导通过上升的城市楼梯路径进入第二层的互动主题展览,在这里,塞尔维亚的社会贡献、有趣的身份和创造潜力通过触觉和数字媒介进行交流。一个突出的特点是声学隔离的“红色主题花园”,这是一个在展馆尽头的开放式屋顶的静修场所。尽管其大胆的色调,这个空间促进沉思和平静,创造一个沉思的对应物,充满活力的展览。在整个过程中,定制的城市家具暗示了2027年世博会的主题,而贝尔格莱德活动的比例模型作为叙事锚。地面层提供了一个迷人的公共区域,包括景观整合、座位和活动区域,表达了塞尔维亚文化精神的开放性。

Visitors are guided through an ascending urban stair path into an interactive themed exhibition on the second level, where Serbia's societal contributions, playful identity, and creative potential are communicated through tactile and digital mediums. A standout feature is the acoustically isolated "Red Thematic Garden", a monolithic, open-roofed retreat at the pavilion's end. Despite its bold chromatic tone, this space fosters contemplation and calm, creating a meditative counterpoint to the vibrant exhibition. Throughout, bespoke urban furniture hints at Expo 2027's themes, while a scale model of the Belgrade event serves as a narrative anchor. The ground level offers an inviting public zone with landscape integration, seating, and event areas, expressing the openness of the Serbian cultural spirit.

展馆是一个空间隐喻:从根部到树冠,它象征着塞尔维亚在自然遗产和前瞻性创新之间的独特地位。它的外部绿色几何形状和具有气候意识的表皮提出了一种未来建筑的新模式,具有沉浸式、可回收性和表现性,而内部则揭示了一种分层的文化和技术身份,既接地气又升高。从本质上讲,塞尔维亚馆凭借其位置、设计、开放的公共功能,以及酒吧和景观家具,将自己定位为2025年世博会西入口的“客厅”。

The pavilion is a spatial metaphor: from root to canopy, it symbolizes Serbia's unique position between natural legacy and forward-thinking innovation. Its exterior green geometry and climate-conscious skin propose a new model of future architecture, immersive, recyclable, and performative, while the interior reveals a layered cultural and technological identity that feels both grounded and elevated. In essence, the Serbian Pavilion, with its location, design, and open public functions, together with bar and landscape furniture, sets itself as the "living room" of the west entrance of Expo 2025.

项目图纸

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项目信息

设计单位:Aleatek Studio

地址:日本
建筑面积:828 m²
项目年份:2025
摄影:William Mulvihill
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